Inside You– the scoop!

Inside You

Watch this movie, people!  Watch it!

It’s right here on Amazon!

As a fan of gender swapping fiction, I have seen and read movie after movie and book after book.   So, it’s pretty rare that I come upon a swap story that offers anything new.  Mostly, they can do something better, or come up with a different voice, tone or manner of presentation.   But most of them, especially if they fall into the more specific “freaky friday” mode, will pretty much just run through a series of the same beats.

Inside You does do that a little, but even when it’s running along the same beats, the writer direction Heather Fink, a student at NYU film school, often manages to find ways to ground the story in contemporary gender-wobbled reality, with behaviors and experiences rooted in the characters.

Wait.  Did I forget to run through the basic story?   Stephanie and Ryan live together and have dated for years.  Their relationship has stagnated.   Then, they switch bodies.   Now, Stephanie was, like many young, modern women, all about wearing comfortable clothes, so when Ryan finds himself in her body, there is no sudden need for him to start wearing stiletto heels and mini-skirts.  However, he does get curious, and since he is trapped in her body anyway, he spends a day playing dress up and giving himself make-overs.  it’s exploration that he now feels free to do, and that sense of exploration does not stop with clothes.

This movie delves frankly into sex issues, with some fun role reversal.  For example, Stephanie really want to know what it feels like to get a blow job, and now that Ryan is the girl she wants him to do it.  Ryan is not totally into the idea, and we then get to see play out what happens all the time anyway; the guy pressures the girl for oral sex, and she is not cool with it.  Eventually, Ryan gives in because he feels it will save the relationship, leading to a very funny scene.    Then, he turns the tables insisting that Stephanie pleasure him in return.

It’s this willingness to look at relationship and how they each end up doing things to please the other that allows this movie to stand out from the crowd.  In addition, Fink has some fun and interesting ideas concerning what to do with a camera, and she uses the camera well to tell the story.

Now, this film was made with 30,000 dollars, and there are some limits visible and audible in terms of the production.  However, watch it.  Just watch it.  This movie is all about the story, and it really doesn’t matter if it looks perfect or not, because it has heart!

If you don’t like Amazon, find it at any of these places linked from their blog.

Your Name (spoilers)

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Based on the novel by Makoto Shinkai, Your Name finally came to my local theater after raking up over 300,000,000 dollars at box offices around the world.   The story centers around two teen-agers, a city boy and a country girl, who begin to swap bodies during the night.

The characters do not, initially, know each other, but as they spend time in each other’s bodies and living each other’s lives, they naturally start to get an understanding of each other, communicating by leaving journal entries, and their lives become intertwined as they bicker, commiserate and become inter-twined with each other’s friends and families.

What emerges is a unique and tearful love story with a bunch of plot twists and reversals that challenge the characters and make the audience suffer as we wait to see how, if ever, these characters will get together.

I found Your Name to be one of the most beautiful animated films I have ever seen, including numerous still shots that inform and fill out the world of these characters, as well as stunning scenes of natural beauty.

Despite my warning, I don’t want to reveal much of the plot of the movie.  I will say this is a film that does not spend a lot of time exploring gender.   Aside from one or two moments, especially when they first wake in bodies of the opposite sex, each character just adapts to the life of the body that they wear.   There is a fascinating story line about the girl’s town that is gradually revealed as the story progresses, and a kind of hazy magic to the proceedings, as we discover that in the girl’s town, body swapping is not all that unusual, and it is taken as a matter of course.

I loved every minute of this film, and I will be buying it on DVD to watch again and again.  It is a very moving and traditional story about love, with very non-traditional sci- fi flurishes.

Bring the tissues!

The Assignment (Spoilers)

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First of all, let me say this movie is not so bad.  I have seen the word terrible attached to it many times, but to me I would rate it average as a film in the revenge/payback film noir genre.

The main characters is betrayed.  He then systematically hunts down his betrayer.   Most of that hunting down involves him walking around shooting people without ever being remotely threatened himself or even challenged.  He walks in and shoots.  People die.  There is tension and no struggle.  He shoots.  They die.

There is very little here for fans of TG fiction, especially if you are interested in media that really explores gender identity.  The character is given a forced sex-change, and after initially freaking out when he wakes up to his new face and female body, he just goes right back to acting and dressing the same way as he always did.  He doesn’t seem to really even care all that much, but just throws on some guy clothes and goes back to being a thug.

A few times, he is spoken to in demeaning ways based on his new sex– someone calling him babe or sweetheart, but it seems to have no impact on him at all.   He just shrugs it off like it didn’t happen.  Likewise when he, for no clear reason, decides to dress up in a sexy women’s clothing and heels, even donning a blonde wig.  He acts just like he’d put on his usual leather jacket and hoodie, and doesn’t seem to care at all about how he looks or what it might mean in terms of how he is treated.

In addition, the movie features a framing story where Sigourney Weaver, the doctor who performed the surgery, is being interviewed by Tony Shaloub.  This is mostly just an exercise in lazy writing, with lots of opportunities for exposition dumps and a pointless cat and mouse game where nothing really seems to be at stake.

The motivation for the sex-change is thin and unconvincing, and in the end the biggest problem for me is that I didn’t care about any of the characters.   If anything, the villain Honest John  was more charismatic and likeable than the hero, Frank Kitchen, so I didn’t much care whether he got his or not.

Still and all, I would say it’s an okay movie, the kind you watch on a rainy day.   It’s okay, but just okay.

The Best TG on TV (Spoilers)

 

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(Tip in Boy Form)

For fans of TG fiction, the best place to find it right now is on Emerald City embody in the character of Tip and watchable on Hulu and NBC.   Now, everything that follows is a spoiler, so you may want to just go and watch!  But, if you read on, just know I will be revealing a lot of Tip’s journey.

Thematically, one of the reasons I love this character is that he discovers he can only gain power by embracing his female self.  It is a nice twist on traditional gender roles, and when I say embrace his female self it comes down to him accepting that he is a princess and magically dressing himself in a fairy tale dress, earrings, a fancy dress and an elaborate updo in order to command the loyalty of a group of witches.

Now, to back up, when we first meet Tip he is being held captive by a witch, who feeds him special medicine everyday and tells him she is protecting him from the dangers of the outside world.  Right off, the situation is deliciously twisted, as Tip is being held in a tower sealed by brambles, and he is hoping that a male friend named Peter will rescue him from his captivity.  Sounds like a traditional damsel in distress, right?

Well, Dorothy comes along– this is an Oz-based TV show– and she frees Tip, who runs off with his friend Peter to be free and explore the world.  There’s only one problem: the next, Tip wakes up to discover he has turned into a girl.  He hides from his friend and is appalled and embarrassed to have a girl’s shape, so he and Peter set out to find someone to make more of the medicine the witch had been feeding him.

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(Tip in girl form)

All along, we get nice little crumbs of Tip’s struggle with his identity.  At one point he is in a restaurant, his boobs exposed in his too small shirt, and a waitress tells him that unless he’s planning on making some money off his boobs he should probably cover them up.  He is shocked and humiliated to realize men have been ogling him.  He freaks out when he needs to use a restroom and can’t decide which one to use (very timely), and then he gets the greatest shock of all when he and Peter find a chemist to analyze and make more medicine.

The chemist returns and tells Tip he can’t make him the medicine because it is black magic and will turn him into a boy.   “I am a boy,” Tip says, and the man says, “No.  You aren’t.  You were born a girl.”

This knowledge unnerves Tip, who is totally disoriented by the idea that he was born female.   He refuses to believe it.   This situation gets worse when his equally confused friend, Peter, tries to kiss him.

The journey continues on with Tip trying to join the army, but instead ends up at an all-girl orphanage run by Glinda, who wants him to be a nun.   Then, the Witch of the West arrives and offers to let him join her and learn to be a slut, which causes him to say, “So, as a girl my choices are to be a virgin or a slut?”

He chooses to go with West, but only find himself forced to wear dresses and work as her serving girl, making her tea and performing other menial tasks.

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(Tip as serving girl)

Now, this is all doled out very slowly over several episodes.   Finally, he discovers that not only was he born a girl, but a princess, which is just the worst form of girl in his mind, but then Witch of the West asks him a question.  “Do you want to be a boy who has nothing and no one, or a girl who is destined to rule Oz?”

This, to me, is where it starts to kick into high gear because he begins to understand his path to power only comes if he embraces his girlhood.  It takes a couple of episodes, and he briefly even manages to regain male form, but then he is once again powerless, and it is only by going full on princess that he can advance and have any power and future.

The actress who plays Tip, Jordan Loughran, is extremely talented and does a almost too good job portraying his confusion and alienation as he struggles to figure out who he is and what he can be in the world.

I am looking forward to see what happens, and eagerly watching the ratings to see if there will be a second season.  This is very cool stuff for a network TV show to explore.

Check it out!

 

 

 

 

Legion: (Spoilers)

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So, I know a lot of us heard about the body swap element in the new FX show, Legion.  In fact, it served as a central element in one of the promos for the show. I haven’t been so excited for a show’s premiere in a long, long time and even raced home from a social engagement to make sure I got to watch it live.

The TG element of the first was promising, but not awesome.  I love the girl that he gets placed inside, and the whole thing was set up nicely because he is in love with her, and they have a relationship, and then he suddenly becomes her, and he is just kind of freaked out and wanders off into the city.

We get to see him check himself out in a mirror, touch his new boobs, but not much else. There is a trippy scene where he has all these flashbacks to being a boy, and his mom calling him her little boy, and it contrasts nicely with him now this pretty blonde woman, and sugggests ways in which the switch may be impacting his sense of self. However, before really having to deal with his new body and gender at all, her just suddenly pops back into his own body and goes on with his life.

As for the series, the body swapping character, Syd Barret, remains in the show, and the two of them continue to have a relationship.  It seems very likely there could be further explorations between the two, and that as she learns to control her power she may do swaps with other people.  As it is, she projects into his mind and influences his thoughts and memory, and we get a nice role-reversal where she comes and rescues him after he has been captured.

In addition, Aubrey Plaza plays a very butch character named Lenny who seems like she may have some gender issues of her own.

So, I think this show is going to have lots more to say about gender fluidity, and will have additional body swaps as well.  Best of all, it is a really interesting show in its own right, and is great to watch, so it isn’t like one of these TV shows or movies where you have to suffer between the TG moments.

It should be interesting, and I can’t wait for the fanfic to get going!

 

 

 

 

Changers Report: Spoilers

Changers Book One: Drew by [Cooper, T, Glock-Cooper, Allison]

 

I love the genius premise of Changers: each year of high-school, the main character turns into a completely different person.  In the case of the main character in Changers: Book One, 13 year old skater dude Ethan Wakes up to discover he has become a blonde girl!

Now, I am always most interested in gender changes, and especially of the unwilling variety, and for Ethan it is most certainly an unwilling change.  He actually had been shy around girls and uncomfortable with them, but had set down as one of his goals for his freshman year to get a girlfriend.  Now, he suddenly finds he is a girl, and he has no idea how to be HER.

Now, I call it a genius premise because many young people do go through different identities during their high-school years, sometimes willfully and sometimes, like Ethan, now called Drew, in a way that feels unwilling and haphazard.  So, I feel that Ethan’s seemingly supernatural experience neatly parallels and explores the real life experiences of young people, especially now that they are more free to explore their gender identity.

In the first part of the book, we get to see Drew as she adjusts to the expectations of girl teen culture, becomes a junior varsity cheerleader and explores relationships with other girls and boys.  It’s fun and contains many of the beats we expect, while at the same time offering grounded characters who seem psychologically real.

In addition to her learning how to be a high-school girl, she also has to deal with the fact that she is part of a secret society of kids who are all changing identities just like her, and that this society has a LOT of rules, along with a lot of ominous threats about what will happen if she breaks them.

Which brings me to one thing I didn’t love: I felt the rules of the Changers world were too complicated and limiting, and that too much time was spent dwelling on them.  I didn’t find the Changers’ culture believable.  For example, all of the changers are sworn to keep their nature a secret, and yet they are then given a tattoo on their butt which makes it easy to identify them.  It makes little sense.  The character also has to attend an incredibly dull and boring seminar which I found agonizing to read about, and which ended with a huge party for all the changers where they were encouraged to mingle even though they were forbidden from having relationships with each other.  So, those section did not shine, especially compared to the other stuff, which was all really great.

I like the book and recommend it.  There is even talk of a series, so this could be a really fun TV show one day!  Check it out!!!!

Changers Book One

New York Times Feature on the Authors

T Cooper’s Website

The Swap Versus The Swap (Spoilers)

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In this corner, Meghan Shull’s young adult novel, The Swap.  In that corner, Disney Channel’s movie length adaptation.  Which will emerge as the true champion?  Ring the bell and let the battle begin.

Both the book and the film are PG, and both of them artfully dodge anything that a family or young person might find creepy or weird.  For example, in the book Jack, in Ellie’s body, refuses to undress for his physical because he knows it would be wrong for a boy to see a girl naked.  In the movie, when Ellie’s mother induces him to take a bubble bath, he wears a bathing suit.

The story focuses mainly on the characters and their relationships.  Jack has a strict, military father and three rough-housing older brothers.  The father is cold and distant, and he pushed his sons to extreme physical fitness and competitiveness.   When Ellie finds herself suddenly in his body and life, she has to adjust to being yelled at, wrestled with by half-naked boys (all of whom she finds very attractive, something she must hide since she is in the body of a boy and a younger brother.)  She also has to experience other embarrassing moments, like waking up with morning wood.  We learn that one reason for this testosterone driven dude life is that his mother died a year ago.

Jack, on the other hand, finds himself living a life of luxury and ease as a girl.  He has a big, fluffy, comfortable bed, a loving mom who is full of hugs, encouragement and understanding, and even makes pancakes for him just about ever morning.  Jack, though, shies away from this mother’s attempts to be close, and his further horrified when both his mother and his doctor want to talk to him about his impending menstrual cycles and graduation into womanhood.  In addition, he now finds himself mystified by the female politics of the all-girl world he finds himself in, and as a shy boy who never could talk to girls, it is an extra terrible struggle as he finds himself a girl in a girl’s world.  In the book, remember, Jack is now a 12-year old girl, so the all girl social  makes sense.  It is a little harder to believe in the Disney movie, where they are both sophomores in high-school, but this is a Disney Movie, where even adults never do more than offer each other innocent little pecks.

The movie did a better job creating suspense. In the book, the characters believe they just have to make it through the weekend, so that can find the nurse that switched their bodies and get turned back.  The movie made a better choice; the characters have a limited amount of time to earn the right to return to their own bodies, or they will be trapped forever in their new lives.  And how can they earn the right to get their own bodies back?  Well, Jack has to perform rhythmic gymnastics, wearing full make-up, body glitter and tiny little outfit, gracefully dancing around while twirling a ribbon.  Ellie has to dominate other boys in hockey, though she finds a way to use some of her gymnastics skills along the way.

In the end, and stop now to avoid the ultimate spoilers, the book just stops.  The characters do what they need to do, and then they just pop back into their bodies.  The whole thing about the nurse and getting through the weekend vanishes.  In the movie, we get the traditional false ending.  The characters fulfill their quests, and then… they don’t change back.  They think they have failed, and they both seem resigned to their new lives.  Ellie turns to Jack as he stands there in his gymnastics costume, and says, “I am sorry Ellie.”  He looks at her in her hockey gear and says, “I am sorry, too, Jack.”   I would have liked for more of this section of the film, where the two characters are facing their futures and boy and girl, but it turns out they really needed to deal with their unresolved parental issues.   Jack opens up to “his” mom, and they have an emotional moment together, while Ellie stands up to “her” father– and then they are restored.

In the end– sorry– do both.  Read the book.  See the movie.  Both argue for a more genderfluid sense of identity as Jack in some ways makes a better girl than Ellie, and Ellie makes a better guy. Meanwhile, both of them learn that they can indulge in activities that defy norms and actually not only enjoy them but get stronger as Jack learns to enjoy bubble baths, for example, and Ellie starts to thrive in bro-culture.

One regret for me comes from the casting of the movie.  Peyton List is taller and actually looks more muscular and athletic than the scrawny actor who plays Jack.  List looks like she lifts weights, and has a bigger bicep bulge when she challenges another girl to a fight than we see from Jack, who in the book is very muscular — it would have been interesting for me to see Jack react to the realization that as a girl he actually has more of some of the things guys want–  height, muscle– but  maybe I will just have to write that book myself!

 

 

 

The Winchester Sisters!

So, fans all over the Internet are creating videos that feature the Winchester Brothers from Supernatural being transformed into women.  These videos have caught on, and there is even some Winchester sisters cosplay.  Here is a video I especially like because of the voice melding and the showing of the transformation:

 

The above video, like the others, is fascinating to me as much as anything else because simply by implying that the footage of the two gorgeous women features characters who used to be men, the creators are able to create a TG effect that makes all the action fascinating in a specific way.

Here is another one:

This is actually a full episode shot with two actresses playing the gender swapped brothers. It is really fun in that we seem them subtly embracing their womanhood as the show progresses, dressing more and more feminine, doing their hair, and being very much okay with it.

There is also a podcast, where they have redone entire episodes with the brothers genderswapped into sisters:

http://foolsgoldtheatre.podbean.com/p/supernatural-genderswap/

There are even a bunch of tutorials on how to do FemDean makeup and costume, as gender swapped Winchester cosplay is a thing:

It’s all great and fun, especially because I feel like a lot of folks who aren’t part of the TG fiction world are doing TG fiction in a very open, mainstream way.  However, I am curious myself as to why this particular show, and why these characters?

My guess is that the relationship between the brothers reads as or reminds many viewers of more a sisterly relationship, at least as portrayed in the media.  In addition, the viewership of the show tends to skew female, so they are identifying with these male characters, imagining themselves in the roles, and in turn enjoying the idea of the Winchester boys being turned into very sexy girls.  One of the most common, to the point of being almost universal, is the swap of Dean into Amber Heard, and many of the images tend to be very sexy and feminine while at the same time aggressive:

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So, the boys are usually imagine as being dressed in cute outfits, pretty but also strong and aggressive and probably all the things the viewers want to see in themselves, but of course it is fun for them to imagine these two guys in tight, low cut tops and short shorts, but still sporting guns.

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Of course, it is great for people to explore ideas of gender, and what it would mean for a couple of guys to turn into a couple of girls.  One of the great things about these videos is that in a very modern way, none of them in any way sees the characters as diminished or weakened by their sex change.  In all the videos, they are just as tough and capable as always, just doing what they always did a women instead of men.

I like that!

Sam: Gender Fluid Movie

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Directed by Mel Brooks’ son, Nicholas Brooks, Sam tells the story of a sexist womanizer who wakes one day to find he has been turned into a pretty, petite woman with a voice, as he says, like a chipmunk.  How will he react?  What will life be like for a man like that who suddenly finds himself dealing with a sexist boss, who can’t go to a bar without getting hit on by sleezy guys?  Who is now small and pretty and has to look up at just about every adult he meets?

Most interesting to me– is biology destiny?  Will a straight man who disrespected women, given a straight woman’s body, find himself thinking like and wanting all the things that straight women want– or at least that society says they should want?  That is, will be become all about marriage and babies and wanting to be a wifey and a mommy?

The movie maker put some money and time into the film– it looks good, and features performances by some well-known and accomplished actors such as Morgan Fairchild, Stacey Keach and Brian Batt. Natalie Knepp is excellent as Sam in his female form, being able to play it butch without being cartoony.

The story, both in terms of the plot and tone, very much feels like an old-school Fictionmania story, with a distinct resemblance to a Spell R Us tale, right down to a mysterious wizardly character who turns on the magic to give our misogynistic male his own boobs.

Now, here is the thing.  It ends much better than it starts.  The early scenes go through beats you would expect in a story of this genre– the sexist male character making derogatory comments about women, hitting on women in the office, mocking his friend who is getting married to a “ball buster” and bonding with his sexist boss over the shared belief that the best part of a woman is her ass.  However, much of this early dialogue sounds unnatural, with strange turns of phrases and contrived scenes that all serve a purpose but which often seem forced.   I felt as I watched that the actors were struggling with commitment in some of these scenes, as they sounded more like they were reciting lines at a read through.

Then, the change happens.  The sex change, that is.  The early stages of the change are all you’ve seen it before moments– if you read a lot of this kind of TG Fiction– and they follow a pattern that is familiar in many stories but which have often struck me as a little absurd– these include the character trying to persuade his best bro that he has been turned into a woman, the character just being allowed to show up at his old job by claiming to be his own cousin– because, of course, every business will employ any random woman who comes along as long as she provides no proof she is related to an employee who has mysteriously vanished.

Of course, I understand why these scenes exist, and I am even willing to accept them as part of the genre, but there was not a lot of jazz to the scenes for me.  They just felt like perfunctory scenes, and I always want more tension, emotional stakes and even psychological realism.

Once all that is out of the way, though, I found myself liking the movie much more, and I feel it is very much worth watching once we get down to the business of this guy, now a girl, and how he responds to his new sex.   After initially dressing in masculine style clothes and doing nothing with his long hair, he decides that in order to be successful in as his new sex, he needs to learn how to dress and act like a girl.   Therefore, he hires a coach, Brian Batt, who teaches him to dress and act more ladylike.  Sam is clearly terrified of going down this path, even as he needs it, and tries to run away at the last minuite, then gets in a battle of wills with his fem coach, played by Brian Batt.  Batt is great, though the character is a stock gay character, and the scenes are fun as we see the sexist male slipping into a leotard, stockings, heels, and learning to do his makeup and to sit and gesture like a woman.

There is a seen where he expresses his bewilderment as his sex change, asking his friend, “How do you think I feel seeing this face in the mirror?  Hearing myself talking in this voice?”  I would have loved more of that– even in a comedy– but often he seems to be moving through the world as if the change has made very little difference.

The film hits its best moments when it morphs into a romantic comedy, with Sam, now called Samantha, falling in love with his best male friend.  He is shocked to realize it, and even makes a booty call, where he confesses that he is having lusty and romantic feelings for his bro, who freaks out at the thought.   And once Sam has allowed himself to luxuriate in the male musk of his friend he becomes obsessed with cuddling and then even begins to have a sudden new interest in what it would be like to have a baby.  In this film, he not only adapts to society’s expectations by dressing like a woman, but he starts to think and act as a traditional woman as well, experiencing all the needs and feelings.

Given the genre, it will be no surprise that our character is eventually given a choice– to stay as a woman or go back to being a man.   I won’t give away the ending.   I am glad I watched the film, and there are some fun, interesting scenes.  This film falls on the side of biology, suggesting that Sam, given ovaries, will become a straight woman.  For him, biology is destiny, and as long as he has a female shape he will be forced to accept a traditional female life of man, marriage and babies.  Or maybe he is just fulfilling his own sexist beliefs about what women want?

Now out on Itunes, Amazon, Vudu and everywhere!  Here is the Amazon Link:

Sam on Amazon

Official Website

 

Transparent (Spoilers)

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So, I finally watched Transparent, mainlining the two existing seasons over the course of a weekend.

And I don’t know what to say.

I liked the show.  I found it very watchable, and I feel it won on all fronts from a creative perspective: great writing, acting, directing, music.  However, The Pfeffermans are horrible people.  Unbridled narcissists, they crash into the lives of much nicer, more caring people and remorselessly shred their psyches and then cast these people aside like outgrown toys, occasionally popping back in to see if they can inflict new pain upon their victims.

Transparent feels very much like a soap opera, where a lot of the drama is driven by the lurid pleasure that comes from watching these people lure one victim after another into their web of lies and then wait for the moment when the poor person realizes that they are just another victim of a very sick family.

What makes Transparent different from Falcon Crest, however, is that many of the characters, not just the father, find themselves exploring their identities, sexual and gender.  The father, Maura, has come out as transgender and expressed her desire to live as a woman.   Sarah leaves her husband to rekindle a lesbian relationship she had in college.  Gaby pursues both a trans man and later a lesbian relationship with an old friend and one of her brother’s former conquests, and Shelly, the mother of the family, explores a lesbian relationship with her former husband.  So, with the exception of the son, so far, they are all what I would call genderfluid, open to exploring their own sexualities if not always very accepting of others.

But they are all assholes! Narcissists. They are a prevalent stereotype of LGBT people as people who love only themselves and do not seem to care at all how their actions impact others.  They are always me, me, me, and they lie and abuse people with impunity. So, isn’t it a problem that this show, being lauded as a ground-breaking step forward for LGBT people, portrays LGBT as horrible, selfish parasites?

No, and for this reason; because it is just like Falcon Crest. Or Dallas.  Or countless other shows where rich, entitled turds go around being selfish and abusive toward others. Transparent is not a documentary or an after-school special. It is a soap opera, and nice people are boring, so naturally these characters need to be flawed and terrible, because that is what viewers find entertaining.  No one is going to tune in to watch a well-adjusted family work out their problems like mature adults.  No one.  No one is going to tune in to watch a happily married couple go on an uneventful vacation.

There needs to be conflict.  Disaster.  Bad thinking.

In addition, among the victims suffering for the misfortune of getting involved with any of the human misery machines known as the Pfeffermans, are straight and LGBT characters alike.   We see that in the world there are good and bad people, and some of them are straight and some of them are not, and it is a good thing that this show can portray a balance.

If I were going to fault anything it would be the classification of this show as a comedy.   It seemed very clearly a drama to me.  There are some funny moments, but they emerge out of dramatic situations and are far less frequent than more dramatic moments.  It seems to me that the only reason that anyone would find this to be a comedy is if they are an immature person who thinks anything with non-traditional gender roles is automatically funny.  There is a scene, for example, where Maura has decided to perform at a LGBT talent show, and as she comes out and begins to sing all of her children begin laughing uncontrollably and then flee the room in the middle of her performance.

When Maura first emerged onto the stage, I was thinking– yes!  Do it!  Live your life!  I didn’t find it hilariously funny that she would have the courage to get up there and do it. Not at all.  Nor did I find it hilarious that her children would burst out laughing and then run out of the room.

But then I am one of those kind-hearted folks that people like the Pfeffermans would prey upon, so maybe that is why I found it sad people would be so hateful toward their own parent.

Transparent is a soap opera, and I would say a good one.  Season Two got more and more into gender identity, and I found it more and more interesting.  I am looking forward to the third season.  To me, I would call is Falcon Crest in transition.

If you are looking for a show about good people who are interested in growing and becoming better people– for real, not just for fashion– this probably isn’t the show for you.  But if you want to see horrible people being horrible, check it out.

Free on Amazon Prime