The Wild Boys: DVD Now Available!

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Buy the North American Blue Ray HERE!

Though I feel few share my fascination and admiration of The Wild Boys, I nevertheless decided to post up my review of the DVD, in which I will discuss in greater depth why I love this movie, as well as the Bonus Features.

To start with my love of the movie, let me express my admiration for the film making itself, which comes from what some, including the director, call the “Incoherents” movement.  Simply, this means the director does not concern himself with creating a false sense of unity and realism such as a viewer would find a mainstream Hollywood film.

So,  in TWB, sometimes the movie looks like an old-fashioned sea adventure, sometimes like a period drama, sometimes like dream.  In fact, to my mind, the result creates for the reader an experience much like a dream– with the  use of compression and symbolism, for example, inviting a series of sub-conscious reactions.   All of this works very well with the material, which explores mutability, metamorphosis, boys turning into girls, men into women.

As with the camera, the director does not ask the actors to play everything in a naturalistic way, which in any case he rejects as just another technique.  Sometimes the actors do seem to deliver their lines “California Style” but often, working with the camera, lines are infused with gravity, characters look off in dramatic ways or turn their heads for effect.  Within that context, the actors in this film, and particularly the young women who play the boys, I find all of their performances compelling.  The young women embody young masculinity, with the mannerisms and voices feeling right– not caricature  or camp, but like boys.  Similarly, they commit totally to surreal scenes, such as when a bout of boyish rough housing beneath falling feathers turns erotic just as they stand on the cusp of their new, female bodies.

So, innovative directing that matches the themes and subject matter, plus epic performances, and that’s a great film.  But, of course, I have a particular affinity for work that explores gender, and this one does it in ways that most such movies never have the nerve to explore.

Some of favorite moments resonate either because they blow past previous limitations, or else they celebrate what seem to me “classic” TG moments.  For example, there is a scene where one of the boys, still identifying totally as a boy, is startled and screams in a “feminine” manner, then discovers he now sounds like a girl when he talks.  The “voice change” had always been one of my favorite tropes, and so it was very fun to see this played out, with the boy clutching his throat, clearly embarrassed, and the others, not realizing they will share his fate, mocking him and calling him “girly.”

Another trope I enjoy the movie explores is that they boys develop breasts before they become biologically female, so we see a couple of them struggling with the shame of having breasts, the insecurity and ways it challenges their sense of identity.

Finally, the role-reversal and feminizing– or at least the forcing of the boys into feminine roles and situations, begins long before their physical change.  The Captain sexually harasses one of them at one point, while they also are forced to walk through a field full of “groping” plants.  And, of course, there is the phallic tree and its white juice they must drink to survive, as well as a suggestive fruit they are forced to eat.  So, while some may struggle waiting for the physical changes to occur, there is plenty to see in terms of gender before they even get to the biological morphing.  After the morphing, this film gets much more naked than most, so the reality of the new bodies is right there on the screen.

For viewers interested in seeing how characters adjust to their change, this film does not offer a lot.  After initially shocked and embarrassed reactions, including some morning for their lost phalluses, the characters seem to accept their new genders readily.  In addition, they seem largely unchanged, simply becomes female versions of themselves, with the same attitudes and values as before, something which I find interesting, but might not satisfy all viewers.

Bonus Features

Not much.  Of the deleted scenes, I did find two very worthwhile:  First, as he has first turned fully into a female, one of the boys is crying, staring at himself in the mirror.  A character known as The Doctor walks over and pulls his shirt open, so he now must confront the sight of his breasts.   In the second, a group of sailors comes to the island, and we see the boys– now all female–  moving in feminine, erotic poses, luring the men to their doom like sirens.

The others were well deleted.  In addition, the Behind the Scenes, while interesting, was a disappointment– and probably meant to be.  I must confess that here I had hoped for something more conventional, especially interviews with the actors about what it was like to play boys, for example, how they prepared, the voices…etc…  But it is a surreal short film shot on Super 8 with the actor murmuring poetically.  It works as a short film and ads some to the experience of the film– there is a scene of the actors, all in their boy forms, having fun with fake phalluses– but it doesn’t reveal as much as I had hoped.

 

Buy the DVD!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

New Body Swap on Netflix!

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Transfers

French creators continue to produce some great TG media, with the new 6 episode science fiction series Transfers joining the instant classic, The Wild Boys as excellent examples of what can happen in this medium.

In Transfers, we find ourselves in a familiar but futuristic France where the ability to transfer people’s essence from one body to another has been invented and promptly banned.  However, as is usually the case, the banning on transfers does not end the practice but merely drives it into the black market.

The series centers around a fairly ordinary wood worker who finds himself illegally transferred (without his permission) into the body of a cop who specializes in hunting down illegal transfers.  He feels compelled to pretend to be the cop in order to avoid being caught as an illegal transfer, and so that he can be together with his wife and children once more.

So as for body swaps, the whole series centers around a swapped person and gets into all kinds of interesting questions about identity, morality and politics.  How much of behavior is genetic?  How much personality?  Is it possible to be “you” in a new body, or do you become that person?

Now, as you all know, I am all about the gender swaps, and this show has a major gender swap in the form of a ruthless middle-aged crime lord who ends up swapped into the body of an elementary school girl.  In his case, while he remains a ruthless crime lord with a taste for cigars and whisky even as a little girl, he also seems to begin to be adapted by his body.  It’s just little moments, but we see him fussing with his hair, putting it into a pony tail, or having one of his henchman braid it for him.  He also gets girly at times, sometimes mockingly, and sometimes seemingly because his new body demands it.  So, while it isn’t a big part of the show, we do get to see some TG moments that also seem to explore the notion of how much of a person is their “mind” and how much their body.  The young actress does an impressive job embodying the “man inside” and I would say should have gotten an award for her efforts!

Aside even from the body swapping elements, the show is very watchable.  It’s a thriller, a cop show, with a plot that moves and is full of twists and turns, surprises and revelations.  The cast is first rate, working from excellent scripts, and the show looks great, with first rate cinematography and lighting.

My only complaint?  Only 6 episodes!  However, the creators have stated they want to do more seasons, and if the show does well, the season ends with several interesting little cliffhangers for a future season to build on!

Check it out!

Link for NetFlix users in the USA.

I am sorry, my international friends, but I do not know where to find it in your locales.  I do know, given it was a European production, that it should be available in the EU.  The French title is Transferts, so try searching for that term!  If you find links, please share them in comments so other fans can find this amazing show!

 

 

 

 

 

The latest collaboration OUT!

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Once more, it is my pleasure to share a story commissioned by the mysterious Anonymous, who also commissioned such popular, #1 best sellers as Boy Gone Blonde, Night at the Mall and Revenge is Best Served Cute!  This one features a Christmas theme inspired by Charles Dickens’ A Christmas Carol.

In our case, the story features a young man filled with bitterness who hates yuletide cheer!  But, what happens when a mysterious Christmas elf appears and delivers an ultimatum– start loving Christmas, or spend the rest of your life as a girl!

Read this fantastical tale to find out!

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Check it out, and if you love it, please take a moment to leave a review!!!!!

Forsooth, a TG Opera from the 1700s!

 

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(Photo: Discovery of Achilles on Skyros)

Achilles, the mighty warrior, pretending to be a girl and fighting off the manly advances of a king?  Finding himself pestered on all sides by people determined he should become a bride?  This and more all happens in John Gay’s 1700s opera, Achilles in Petticoats.

The story of Achilles and how his mother, the nymph Thetis, convinced him to live as a girl dates back to ancient times and has been the subject of paintings, sculptures, epic poems and operas in French, Spanish and, happily for me, English!  For a listing of the many depictions of this event, check out the Achilles on Skyros Wikipedia page.

The Opera itself, Achilles in Petticoats, can also be read online and features some scenes that, unfortunately, could have come right out of 21st century TG fiction.  I say unfortunately because it shows how little has changed in terms of women being sexually harassed.  Here, we see a man subjected to these kinds of sexist treatments, and that is what this opera explores, with songs such as this, a duet between Achilles and Lycomedes as the king is trying to pressure Achilles into sex, leading to a threatened rape.  This is the lead in and then the duet.  Notice how Lycomedes assumes Achilles is only pretending (s)he’s not interested:

 

Lycomedes:  Since your obstinate behavior then makes violence necessary–

Achilles: You make self-preservation, sir, a necessity–

Lycomedes:  I won’t be refused!

Air IX

 

Lycomedes:  Why this affectation?

Achilles: Why this provocation?

Lycomedes: Must I bear resistance still?

Achilles: Check your inclination.

Lycomedes: Dare you then deny me?

Achilles: You too far may try me

Lycomedes: Must I then against your will?

Achilles: Force will never ply me!

(Achilles pushes Lycomedes from him with great force and throws him down).

One of the more interesting twists in most versions of the story is that Achilles agrees to learn to walk and talk and live as a girl because he is in love with Deidamia, one of the king’s daughters, and the only way he can get close to her is if he pretends to be a girl.  So, it is full of gender role bending fun as it is his desire for a woman that makes Achilles willing to live as one.  There is also an interesting aspect in most version in that is is  his mother, Thetis, trains him to “graceful gait and modest tongue.”  It’s an interesting dynamic, a mother being the one who takes her manly and macho son and feminizes him– all to protect him from the early death it has been foretold awaits him at Troy.  But could there be more to it?  Could there be some other factors driving Thetis to this unusual plan?

I feel like a modern re-telling exploring all these relationships and issues is past due, and so I am starting to write one now, and I am having great fun in exploring these decisions by Thetis for her son, and Achilles for himself.  Of course, in my version, there will be a physical change!

 

 

Hook and Pan Vol 2 Now Available!

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People.  I am excited to announce that the latest installment of my gender bending Neverland series is now available!  In the first book, Peter Pan tricked Captain Hook into dipping his hand into a magic pool that caused him to turn from a big, tough pirate a skinny, love struck girl.

Vol 2 picks up where Vol 1 left off, with action and romance and all the characters we love from the world of Neverland, from Tiger Lilly to Tinker Bell, the Lost Boys to the Pirates!

Check out a free sample or buy it up at the links below:

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Japan     Brazil     Canada       Mexico       India     Australia

 

As always, I am legally obligated to report that Kim Kardashian does NOT endorse this product.  She doesn’t.  I swear!

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A Boy Goes To Oz!

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For every boy out there who ever wished he could be Dorothy, (or Glinda,) or, actually, anyone else with a love for Oz, I present the latest in the bare essentials line of short gender bender eBooks: The Boy Who Went to Oz.

Let’s say he ends up in dress wearing a very special pair of slippers and leave it at that!  Links below:

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Australia       Canada      Japan        India     Brazil         Mexico

Italy       Spain

Scroll down for links to other awesome books in this series where Captain Hook’s relationship with Peter Pan gets complicated when Hook finds himself trapped as a girl, and Allan Quartermain, legendary adventurer, finds out what its like to be pressured into being a proper young lady!

One Plus One is More One!

 

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Hey, folks.  Well, thanks to all you who checked out the first two books in my bare essentials series they each popped up to #1 in their respective categories!  I have never had two books at #1 at the same time!  It’s a first, and it is all thanks to you!!!!!!!!

This is very exciting and fun for me, and I can’t thank you all enough!!!

But, I will try!

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If you want to check them out, scroll down for links, and remember there are free samples!!!!!!!!