Gender Fluid Fashion

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Just going to share some genderfluid fashion this week, and maybe offer a few notes on each.  A little less musing this time and just some sharing.  Love the shirt above.  It might get people talking!

Find It Here!

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This one is fun and playful, and I am a sucker for a pun.

Find It Here

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I think this one would confuse people, but it also might lead to opportunities to engage.

Here It Is!

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Don’t be freaked out that it is listed as a woman’s shirt.  Redbubble isn’t hip to it yet, but the creator is– I think!

Here!

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What’s not to love?

Here Ya Go!

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No kidding!

Location Confirmed!

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Wear this one to the gym!

Here

Posting all these shirts, looking over them, I realize something.  As innocuous as these shirts are, I would be very worried to wear them in a lot of places, especially if I were alone.  I can easily imagine there being issues, potentially violent, if I were to get stuck on a train full of drunk hockey fans, or run into a bunch of college students in the village.

Is it something wrong with me?  Or the world?  Is it wrong that I would choose to selectively hide my identity rather than risk getting into a brawl with some strangers?

And yet, am I only hurting myself in trying to hide what often seems to become obvious to people anyway?  I remember times when I, trying very hard to hide who I was, to seem more of a dude, still had people taunt me for being feminine, sick kinds of people who compulsively  seemed drawn to attack anyone who seemed different.

And yet, I won’t do it.  I’ll keep undercover whenever there might be danger.  Live my life, and still keep my brightest self for a life behind closed doors.

Things are better than they have been in the country where I live, but there are still a lot of people who feel threatened by the genderfluid, and who feel perfectly entitled to inflict pain on us whenever they get the chance.

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End

Gender Fluid Fashion

Kitty Pride and Professor (really) X (Spoilers!)

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So, do you remember the time Professor X tried to do it with the teen-age Kitty Pride, but it wasn’t Kitty Pride but actually Baron Karza, the supreme enemy of the Micronauts?

The subplot, featured in the 4 issue x-Men and the Micronauts mini-series, flirted with Sub/Dom TG.    Baron Karza, trapped in the body of a female and dressed like a slave girl, on his back in such a vulnerable position, his arch-enemy, dominant, ready to make his move.  In the book, realizing his enemy intends to have sex with him, Karza tries desperately to distract his enemy, to keep him busy, because Karza feels physically helpess and unable to defend himself.

To understand the dynamic Chris Claremont was playing with, understand that Baron Karza was the Darth Vader of the micro-verse, the ultimate bad guy.  Like Vader, he always wore armor and a helemt, a cold, distant figure, inscrutable.  He ruled over others, had an near-omnipotence in his realm, and could even take on the form of a centaur, cementing his status as an emblem of masculinity and virility..

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So, for him to find himself trapped in the body of a girl, helpless and in the clutches of a predatory male was as close to a total reversal as could be imagined.

The added level of kind of strange pervyness was that the villain is actually Professor Xavier, and, of course, Kitty Pride was one of his students.  The story line didn’t really delve too much into this, and there were never any ramifications beyond the mini-series, but it was a very interesting, human and flawed Xavier that emerged.

A third little bonus for me was the fact that I had owned many micronauts as a kid and loved them, so now one of my favorite toys had merged with TG fiction, and I was in heaven.

In any case, these kinds of role-changes are very interesting to me.  Karza very quickly chose to play the helpless maiden, seeking to flatter and cajole and manipulate the man who wanted to have sex with him, all his usual shouting and bravado gone.  Yet, he was still Karza, and he was just waiting for the chance to try and kill his enemy.

How much of femininity is simply practicality?  Would any intelligent man, placed in Karza’s situation, resort to passive, feminine strategies?  Would many women, if they were bigger and stronger than the men in their lives, take on the dominant role because they could?

These are the questions I feel we can explore in genderfluid fiction, readily and overtly.  Of course, Chris Clarement, author of the series, didn’t have the freedom to pursue the story line very far or very deep.  The most he could do was play at the surfaces.   But that doesn’t mean, and I am sure others, haven’t written fan fiction in which Baron Karza remains a teen-age girl, and where he comes to find the pleasure in surrender.

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Kitty Pride and Professor (really) X (Spoilers!)

Metanoia

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Writing for me is learning, and I have been digging deep into Greek mythology lately as I dive into work on my next novel.  I feel like I have been in a rut, and I have decided to challenge myself now to create a bigger, deeper and more complex TG story than any I have ever made.  I know this much– the story will feature Zeus, King of the Gods and the embodiment of male virility, being stripped of his manhood and turned into a goddess, now the goddess of marriage and females while Hera becomes King of the Gods in his place.

I have always done research for my stories, whether it was researching the cities and locations, looking up recipes and police procedures, the impact of different drugs or even the history of the bra.  But this time I have delved deep into Greek mythology and done more research than ever, reading primary source myths, looking back over texts I had read before, like Metamorphosis, and reading up on the views on mythology by thinkers such as Otto Rank, Joseph Campbell, Carl Jung and Sigmund Freud.

I am looking at these stories and characters as archetypes who ruled over aspects of the masculine and feminine, and I am going to explore slowly, carefully, and very deliberately what will happen when the God Zeus, most powerful of all male figures, finds himself gradually turning into a goddess, and now the goddess of marriage and females.

Hera, meanwhile, will become more and more the essence of the virile man, and I will explore the changes in her as well as she gains and loses in her own transformation.

The Greek myths have also been of interest to me.  Early on, when i was very young, I was attracted mostly by the shape changing.   As someone who was never comfortable in my own skin I always loved the idea of being able to transform into an animal of some sort, of being freed of the burden of myself.

But the universe portrayed by the Greeks also offers a lot to me as a writer now.  The Greek Gods are epic fuck ups and prone to surrender to their passions far more than to any kind of logic.  Justice is capricious and even non-existent.  People who really did nothing wrong get turned into flowers or statues, deer or warthogs.  Gods who do everything wrong suffer no consequences.

And the relationships are fraught with dysfunction.  Zeus raped Hera, his sister, and she married him out of shame.  She once drugged him and helped the other Gods tie him down as part of a plot to overthrow his rule and he changed in her the sky and made her suffer.   How fun it will be to explore their relationship as Zeus finds firm young breasts blossoming on his chest, as he grows smaller and weaker, while Hera gets bigger and stronger.  How will Zeus react as he finds himself losing his power as God of the sky and Lord of Lightning, and instead finds himself the goddess of marriage, and the object of his husband’s lust?

My process for these stories involves many things including the creation of images and art that I am inspired to make as I write and which in turn inspires the writing.   The image at the top of this article came about because as I was researching the story I kept seeing this image of a statue of Zeus in transition, now with his own breasts, and I just had to make it.   I will be making more.

I also look to other sources, music, videos, films, and right now I have entered kind of a fevered state where I am just writing, writing, writing, making art, looking at movies.  It’s kind of a creative obsession, which is when I am at my happiest.

The idea of writing something with the Greek Gods first occurred to me sometime ago, when I thought I might a story in which the Greek Gods are reincarnated in modern times as gender reversed versions of themselves.  Gods reborn in modern times has been done before in comic books and TV shows like The All-Mighty Johnsons, but even though I made some artwork I didn’t feel as excited by it as a do now.   Here’s one image I made back then:

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But the idea didn’t ignite, and it just kind of floated around in my mind until I decided instead to set the story back in ancient times and to create what, to me, would be a new series of Greek legends, ones which featured those traditional Greek Gods facing a genderfluid moment together.  I would even go so far as to say my ambition is to create a religious text for genderfluid people using these iconic figures of masculinity and femininity from the ancient world.

I want to do something epic, something I have never done.  I am excited by the challenge and the possibility that I will fail, but I know also that I won’t be bored.

I hope to have some readers who can say the same thing.

Metanoia

The Hit Girl (Spoilers)

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Status.  Much of life, and much of TG fiction, revolves around the issue of status.  Who gets to be on top and why?  How much of that is related to gender identity, and what would happen to an alpha male type if he were to find himself in a beta-girl body?

The Hit Girl playfully explores all these ideas.  The main character starts the film as a hit man, a big, burly dude who kills people without remorse, but only people who have it coming. Nevertheless, he lives in a world where he does what he wants, solves problems with violence and never feels threatened.   Then, one day while visiting his niece, who he constantly refers to as ‘shorty’ despite the fact she hates it he dismisses her complaints about life in high-school by saying, “I would love to have a teen-age girl’s problems.”

He wakes up in the morning to find himself transformed into a petite teen-age girl, and one with a body more like a middle-school girl at that.  His niece finds great pleasure in seeing him now reduced in stature, both physically and socially, as she is now both taller and stronger than him. In addition, he finds himself facing the value system that society preaches in terms of male and female value.

Early on, he challenges his niece to tell him one good thing about the fact that he is now a teen-age girl.  She shrugs and says, “You’re really pretty?”

The plot of the film then moves along Freaky Friday, Turnabout tracks.  The former man  learns all about what it means to be a girl as he gets used to wearing a bra, deals with mean girl bullies  and has to even turn himself into a sex-object, dressing up as a slutty Catholic school girl and doing some awkward pole dancing as he tries to complete his mission and rescue a kidnapped friend.

A great deal of the humor of the movie involves seeing the character forced to experience life as a female, including being pressed into wearing girl’s clothes and carry around an extremely feminine backpack.  Yet, at the same time, it seeks to ultimate invert or at least challenge the male is better biases of society as the main character increasingly finds himself getting comfortable with and even enjoying aspects of being a girl.  Of course, most pointedly, he learns to reject the idea that he is now helpless and despite his small size and lack of physical strength, he takes on the challenge of taking out the scumbag kidnapper who is planning on trafficking in young women to pay off his debts.

The character, at the end of the film at least, remains female and seems to have accepted his new life.  He gets involved in drama, living his life as Jessica, with talk of his sister adopting him and raising him as her own daughter.    Maybe someday that movie will get made.

This film hits a lot of buttons found in classic TG literature, and I feel does an interesting job exploring the challenges to identity and also the notions of status inherently tied up in gender, age and sex.  It seems to me that the story ultimately suggests that a lot of it has more to do with people’s own attitudes than with anything else.  It’s only embarrassing to be a girl because he feels that being a girl is inferior, but once he lets go of that assumption its just a life, and perhaps a better life than the one he had.  It turns out, having the problems of a teen-age girl really was just what he needed to become a better person.

His status in the eyes of the world may have diminished with his loss in stature, but his happiness is positively bullish.

Available on Amazon

The Hit Girl (Spoilers)