Tag: TG body swap

Kitty Pride and Professor (really) X (Spoilers!)

skeevy

So, do you remember the time Professor X tried to do it with the teen-age Kitty Pride, but it wasn’t Kitty Pride but actually Baron Karza, the supreme enemy of the Micronauts?

The subplot, featured in the 4 issue x-Men and the Micronauts mini-series, flirted with Sub/Dom TG.    Baron Karza, trapped in the body of a female and dressed like a slave girl, on his back in such a vulnerable position, his arch-enemy, dominant, ready to make his move.  In the book, realizing his enemy intends to have sex with him, Karza tries desperately to distract his enemy, to keep him busy, because Karza feels physically helpess and unable to defend himself.

To understand the dynamic Chris Claremont was playing with, understand that Baron Karza was the Darth Vader of the micro-verse, the ultimate bad guy.  Like Vader, he always wore armor and a helemt, a cold, distant figure, inscrutable.  He ruled over others, had an near-omnipotence in his realm, and could even take on the form of a centaur, cementing his status as an emblem of masculinity and virility..

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So, for him to find himself trapped in the body of a girl, helpless and in the clutches of a predatory male was as close to a total reversal as could be imagined.

The added level of kind of strange pervyness was that the villain is actually Professor Xavier, and, of course, Kitty Pride was one of his students.  The story line didn’t really delve too much into this, and there were never any ramifications beyond the mini-series, but it was a very interesting, human and flawed Xavier that emerged.

A third little bonus for me was the fact that I had owned many micronauts as a kid and loved them, so now one of my favorite toys had merged with TG fiction, and I was in heaven.

In any case, these kinds of role-changes are very interesting to me.  Karza very quickly chose to play the helpless maiden, seeking to flatter and cajole and manipulate the man who wanted to have sex with him, all his usual shouting and bravado gone.  Yet, he was still Karza, and he was just waiting for the chance to try and kill his enemy.

How much of femininity is simply practicality?  Would any intelligent man, placed in Karza’s situation, resort to passive, feminine strategies?  Would many women, if they were bigger and stronger than the men in their lives, take on the dominant role because they could?

These are the questions I feel we can explore in genderfluid fiction, readily and overtly.  Of course, Chris Clarement, author of the series, didn’t have the freedom to pursue the story line very far or very deep.  The most he could do was play at the surfaces.   But that doesn’t mean, and I am sure others, haven’t written fan fiction in which Baron Karza remains a teen-age girl, and where he comes to find the pleasure in surrender.

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The Hit Girl (Spoilers)

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Status.  Much of life, and much of TG fiction, revolves around the issue of status.  Who gets to be on top and why?  How much of that is related to gender identity, and what would happen to an alpha male type if he were to find himself in a beta-girl body?

The Hit Girl playfully explores all these ideas.  The main character starts the film as a hit man, a big, burly dude who kills people without remorse, but only people who have it coming. Nevertheless, he lives in a world where he does what he wants, solves problems with violence and never feels threatened.   Then, one day while visiting his niece, who he constantly refers to as ‘shorty’ despite the fact she hates it he dismisses her complaints about life in high-school by saying, “I would love to have a teen-age girl’s problems.”

He wakes up in the morning to find himself transformed into a petite teen-age girl, and one with a body more like a middle-school girl at that.  His niece finds great pleasure in seeing him now reduced in stature, both physically and socially, as she is now both taller and stronger than him. In addition, he finds himself facing the value system that society preaches in terms of male and female value.

Early on, he challenges his niece to tell him one good thing about the fact that he is now a teen-age girl.  She shrugs and says, “You’re really pretty?”

The plot of the film then moves along Freaky Friday, Turnabout tracks.  The former man  learns all about what it means to be a girl as he gets used to wearing a bra, deals with mean girl bullies  and has to even turn himself into a sex-object, dressing up as a slutty Catholic school girl and doing some awkward pole dancing as he tries to complete his mission and rescue a kidnapped friend.

A great deal of the humor of the movie involves seeing the character forced to experience life as a female, including being pressed into wearing girl’s clothes and carry around an extremely feminine backpack.  Yet, at the same time, it seeks to ultimate invert or at least challenge the male is better biases of society as the main character increasingly finds himself getting comfortable with and even enjoying aspects of being a girl.  Of course, most pointedly, he learns to reject the idea that he is now helpless and despite his small size and lack of physical strength, he takes on the challenge of taking out the scumbag kidnapper who is planning on trafficking in young women to pay off his debts.

The character, at the end of the film at least, remains female and seems to have accepted his new life.  He gets involved in drama, living his life as Jessica, with talk of his sister adopting him and raising him as her own daughter.    Maybe someday that movie will get made.

This film hits a lot of buttons found in classic TG literature, and I feel does an interesting job exploring the challenges to identity and also the notions of status inherently tied up in gender, age and sex.  It seems to me that the story ultimately suggests that a lot of it has more to do with people’s own attitudes than with anything else.  It’s only embarrassing to be a girl because he feels that being a girl is inferior, but once he lets go of that assumption its just a life, and perhaps a better life than the one he had.  It turns out, having the problems of a teen-age girl really was just what he needed to become a better person.

His status in the eyes of the world may have diminished with his loss in stature, but his happiness is positively bullish.

Available on Amazon

Wild Cards, a princess and a pregnancy (Spoilers)

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How would a man react to being turned into a pregnant woman?

The Wild Cards series of books, edited by George R.R. Martin was set in a version of our world in which a strange virus mutated some of the population, giving super powers to a few and making others into grotesque outcasts.  In Book 9, Jokertown Shuffle, things got TG to the extreme when the very male Dr. Tachyon is switched into the body of a teen-age girl by his own sociopathic son.

The story line delved into some ugly realities faced by women–  Tachyon is raped and abused by his son– in way I had never seen up to that point, and it juxtaposed that story line brilliantly with a fairy-tale princess vision of reality, with Tachyon finding himself a damsel in distress, having dreams where he is in a Alice in Wonderland fairy world, passively hoping to be rescued by a mysterious figure known as The Outcast.

The combination of these various very feminine/female fears and fantasies being imposed on a man fascinated me, delving into those questions of behavior and the line between biology and free-will.  Tachyon, initially horrified to have something growing inside him, quickly becomes overwhelmed by his body’s maternal instincts, and helpless and desperate, he just as quickly embraces his role as a pretty young princess, dependent on a man to rescue and protect him.

At the time, I felt the book very clearly fell on the side of biology.  It seemed to say–  put a baby in a man’s belly, and he will become a mother, put a man in a woman’s body, and he will start to have female fantasies.   I feel now, re-reading the book, that I may have misjudged.  Tachyon does not just find himself in a young woman’s body– he is subjected to brutality and abuse, rape, physically and mentally tortured and imprisoned.   Could many of the behaviors that I thought were biological actually be the result of the experiences he suffered?

Clearly, these things all would have an impact, so that whatever the biology and brain chemistry he found himself swimming in as a man in a pregnant woman’s body, the abuse and imprisonment also shaped his reactions and feelings.  Abortion wasn’t an option.  He had to carry the baby, and so he chose to dedicate himself to being the best mother he could be to his unborn child.

I remain fascinated by the fairy tale elements of Tachyon’s journey into motherhood and the impact being turned into a damsel in distress had on him and might have on other types of men. It’s something I have explored and continue to explore in my own writing.  Many of my stories use fairy tale tropes and Jungian archetypes, and I continue to like to write about the interaction between biology, environment and culture when it comes to gender identity.  I think there are some men out there who would become good mothers, but my feeling is that most of them would not primarily due to fear and ego.  Maybe I’ll write about that sometime soon.

Check it Out on Amazon!

Turnabout Intruder: Thoughts and Speculations

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“She could have had as rich a life as any woman.  If only… If only….”

The last lines of the last episode of the original Star Trek television series, and the first body swap story I remember ever seeing.  I was young– pre-teens, and I loved Star Trek, which was in constant re-runs on the UHF stations that broadcast out of Detroit back in the 1970s.

Growing up without a father, I had chosen Captain James T. Kirk as a hero and role model, so it was a strange and fascinating thing to see this episode in which he found himself trapped in the body of a woman.  My hero?  my role model?  A girl?  Yet, early in the episode, the characters who put Kirk in that body still refer to him as a he, despite the female form.

Aha!  That excited and interested me.  He was still a he, even though he was a girl?

The episode raised a lot of questions that I had never really consider, particularly in the court martial scenes. “You claim to be Captain Kirk?”  Lester asks, smirking and laughing at the red-haired woman wearing some kind of weird mod pantsuit.

“No,”  Kirk answers.  “I claim that whatever makes James Kirk a unique entity is being held in this body.”    What I heard him saying, though I didn’t have the words, was, “I am not my body.  The thing that makes me who I am is not this woman’s shape.”

The essence of a person, their gender, their THEM, was independent of their form.  Being, to borrow philosophical terms later in life, was independent of essence.

The iconic nature of the role reversal that lit up my young mind.  Kirk, in the woman’s body, being carried around effortlessly by the man, like the women on the covers of my mother’s romance novels.  Kirk on his knees after being physically over-powered by his former male body.  Kirk, reaching for and grabbing Spock’s hand.  Placed in a woman’s body, Kirk was forced into a woman’s traditional role, pleading with the men in his life to rescue him.  In the end, of course, he saves himself through action, as men are supposed to do, but it is not as a man that James Kirk saved himself; it was as a woman, and that to me seemed to suggest that biology was not, as some would suggest, destiny.

Though I believe it may have been an attempt at a feminist statement, the episode has since been condemned for being sexist, retrograde.  The woman in Kirk’s body is prone to fits of hysteria, loves to file her nails and proves incapable of commanding a star ship.  At one point when she complains about the lack of opportunity for women,Kirk agrees with her that life is unfair for women, but with the kind of dismissive “Whaddya gonna do?”  attitude that is still far too prevalent.   The last lines of the episode are specific.   She could have lived a life as rich as any woman.  Not, clearly, as rich as any man, which was the real issue.

Still, I feel it holds up well both as an exploration of the cost of gender bias as well as a exploration of a body swapping gender reversal.  In the end, Lester’s ultimate defeat and punishment is to be trapped in a traditional gender role– to be dependent on a man for her care and protection.  What could be a more powerful statement against the notion of domestic bliss as the be all and end all for women than the image of a woman, broken and weeping with despair at the thought of being stuck marrying a doctor who wants her to just stop striving and be his wife?  And that was back when television shows portrayed that every woman on Earth creamed her jeans at the thought of marrying a doctor.

If you haven’t seen it, or haven’t seen it lately, check it out on Amazon or Netflix,  Sandra Smith is great as Captain Kirk:

http://www.imdb.com/title/tt0708485/