The Lady Arthur 2

Chapter Two

In which Guinevere does gaze upon her husband, now a maiden fair.

The mind of Arthur, as he found himself led back to his chambers, would best be described as a seething cauldron of denial. This could not be happening to him.  He could not be a woman, and so he warred with what his eyes and senses told him, scarcely even aware of Morderd’s hand on the small of his back, guiding him past the gawking faces of servants.  It was a trick of the spell that all who knew Arthur, looking now upon his now lithe and winsome shape, did recognize the mind of Arthur now ensconced within the shapely form of a young woman.

Arthur did not notice the stares.  He focused only on this strange delusion he suffered, the feeling of his dress swirling about his legs, the odd way his body seemed to — jiggle. He looked at his small, soft white hands, and he glanced down at his chest.  No.  He thought.  What has happened could not have happened.

It was the third time he tripped upon the hem of his dress that he finally, exasperated, clutched at the soft material and lifted it, not aware of how utterly feminine he looked, like a woman born as he finally began to become aware of his surroundings.  They reached the stairs.  He suddenly became aware of the hand at his back.  “Get off me,” he hissed, once more wilting at the sweet sound of his voice in his own ears.  The lilting sound of his voice was just another matter for him to refuse to believe.

Mordred, finding himself quite pleased with all that had befallen Arthur, obliged, but could not resist commenting: “Yes, milady.”

“I am not a lady,” Arthur said.   The stairs forced him to further lift his dress, and those servants who had gathered at the bottom of the stairs saw a flash of white ankle, and the sparkling slippers he wore upon his tiny feet. Arthur hurried up the stairs, eager for the solitude of his room, a chance to think, to deny and defy all that his mind was telling him he had now become.

“He is quite lovely,” one of the maids said.

“Pretty as a picture,” another added. 

“Better keep our heads down.  Things will be quite upset around the castle.”

When they reached Arthur’s chambers, Mordred reached to open and hold the door for Arthus.  Arthur slapped Mordred’s hand away.  “Go away,” he said, grabbing the handle to the door.  “I wish to be alone.”

“Of course,” Mordred said, with a small bow. “Do let me know if you need anything, Auntie.”

Arthur plunged into his rooms, barring the door behind him.  He seized a hand mirror and forced himself to look.  He did not see the handsome, manly face that had looked back at him for so many years. No,  a lovely female face gazed back at him, her eyes wide with feminine surprise, her skin smooth and bright.  “No,” he said, his heart racing.  “No.”  But he kept the mirror in his hand, staring at this face, the face his eyes were telling him was now his.   “Impossible,” he said.  “Unacceptable.”

The seething cauldron of denial further consumed him.  He set the mirror on his bed, and stood, looking over at the full length mirror that rested by the window.  A golden ray of sunshine cut across the room, right in front of the mirror.

Arthur once more looked down at himself, once more at the hands that could not be his.  No man had hands so delicate.   “This isn’t real,” he decided.  “This can’t be real.”

He strode toward the mirror, tripping once more on the hem of the gown he refused to believe he wore, the gown that so perfectly clung now to the body he could not inhabit.  He dreaded what the mirror would show him, and yet it drew him, pulled him across the room.  He dropped his eyes, taking position in the ray of sunlight, and then slowly he raised his head, looking upon–

“Her?”  He said out loud.  The image in the mirror– a vision of startling beauty.  That same angelic face, and a female form of such perfection that it made him gasp.  He stepped closer toward the mirror, shaking his head, his thick, black curls bouncing as he did so.  He put his fingertips to the mirror, touching the cold glass, his fingers to her fingers. Looking down at himself– herself? The dress, the shape, all wrong.  “Impossible. Impossible.”

As King Arthur struggled to accept his new sex, Arthur’s knights had raced after Ceridwen.  Some chased on foot.  Lancelot and others had leapt upon their steeds.  It did not matter.  Ceridwen’s mount, speeded by her magic, raced away from them, thundering off into the distance until they were forced to stop, lest their own steeds perish from the chase.

Meanwhile, word of Arthur’s pleasing new shape spread. While the men had gathered in the Great Hall about the roundtable, Geuneviere and the ladies had celebrated in the Queen’s Hall.  She and the others, not concerned with miracles and the doings of their men, had eaten and now nibbled at the fantastic array of desserts and liquors which had been furnished by the queen.  Mordred quietly entered the hall, walked to his mother, Morgan LeFey’s side, and whispered in her ear.

The other women watched, curious, for there was something about Mordred’s air that suggested his errand was of dire import.  As soon as he finished, Morgana removed the napkin from her lap and declared, “My queen.  May I speak with you in private?  It is most urgent.”

Alarmed by the tone in Morgana’s voice, Guinevere smiled apologetically and rose.  “Do forgive me, good ladies,” she said.  In the hall, Mordred and Morgana waited.  Guinevere looked about to make sure there were no nosy listeners.  “What is it?”

Morgana took Guineviere’s hand and said, “I have shocking news.  It is about– Arthur.” 

Mordred related the story of what had happened, now putting on a mask of concern for his poor Uncle’s plight.

“I do not believe it.  Is this your idea of some jest?  I am not amused,” Guinevere said.

“The lady– I mean, Arthur, has gone up to your chambers,” Mordred said.  “You may see for yourself.”

“I will,” Guinevere said, no more able to accept what she’d been told about Arthur’s change than Arthur himself.  She spun and stormed off, mind racing, wondering what manner of mischief Mordred was up to now, for the boy was well known for his childish antics.

And so it was Queen Guinevere, having entered their chambers by her own door, made her way to Arthur’s rooms.   She froze at the sight of the beautiful girl, standing at the mirror, whispering, “Never.  Never.”  Instantly she knew at once this girl was in fact her husband, the king. As soon as she looked upon the ravishing shape he now wore, one that could not be mistaken for anything other than female, she began to wonder.  What would this mean for the kingdom?  For Guinevere, herself?  Was she still married?  Could this girl still call herself ‘husband?’  Could she still call herself King?

As much as Arthur’s change made Guinevere worry for her own future, she was also a fine, Christian woman, and as such compassionate and loving. Her heart went out to her husband, guessing at what a shock and horror it would be for him to find himself reshaped to such a lovely girl.  How could he face the world with that pretty face?  Those white arms?  “Arthur?”  She called out.  “Is that really you?”

The girl pulled her eyes away from her image in the mirror.  She looked back over her smooth, round shoulder.  “Yes,” she said.  “It seems so.”  She turned, and Guenivere now took in the whole of her comely shape.  As Arthur felt his wife looking over his slender waist, his soft curves, he blushed with shame.  “I am sorry,” he said.

“Sorry?”  Guinevere answered.  “Why would you be sorry?”

“I have failed you,” Arthur said, and Guinevere could not help but note he had as lovely a voice as any girl in the kingdom.  Her eyes dropped away in what seemed maidenly distress. “I am unmanned.”

Guinevere instantly went to her, to the girl Arthur, and put her arms around him, hugging his soft body to her own. She knew what to say, she knew she needed to be strong for Arthur.  “You did not choose this,” Guinevere said.  “And I am yet your wife, your queen, and I will always stand by your side.”

“Truly?” Arthur said.  “Even as I am–  a mere girl?”

Guinevere knew that Arthur needed her more than ever, so she put her own fears aside.  She put her hands on his cheeks– they were so soft!– and met his eyes. “I know that still within you beats the heart of the man I swore to love.”

For a moment, Arthur thought he might cry, but he remembered that he was yet a man, and he fought back the strange new impulse to weep.  Matching his wife’s gesture, he reached out and put his hands on Guinevere’s cheeks, staring into her eyes, and he found in those emerald eyes all the strength he’d ever needed.  The tumult in his mind settled, and he faced the truth.

“I have a maiden’s form, but I am yet a man.  I will always be Arthur.”

“Yes, my love.”

“Send for Merlin. I must speak to him at once.”

“And you say he is a  beautiful maiden?”  Morgana asked, sitting in the room which had been set aside for her visit.

“An English rose,” Mordred said, chuckling.  “He looks younger, too.  The face of a girl, though there can be no doubt he is of child-bearing age.”

“What do you mean?”  Morgana was thrilled, imagining her brother so shaped.  “Tell me.  I want all the details.”

“He is a most buxom lass, and with generous hips, mother.  It is quite extraordinary, and his face?  Men would start wars to win but a smile from her.”

“It is too perfect,” Morgana said.  “Too delightful.  And this means, we must seize upon this opportunity, my son.  You are meant to be king, and I will see you on the throne.”

“And what of Arthur?”

“You said in the prophecy that the goddess decried he shall be a wife and mother! Oh, I can’t wait to see his belly swell with child!”

Unless he tames a unicorn, mother.  Do not forget that part of the witch’s spell.”

“Well, we shall have to make sure that our fair, virgin lady does not succeed in that quest, then, shant we?”

“Indeed.”

“You, my son, will sit upon the throne, while my sister, Arthur, suffers the pangs of childbirth.  Did I not tell you the old gods would return?”

“You did,” Mordred said, with a smile.  “And well they have.”

Mordred left his mother to her schemes, climbed to the top of the tallest tower inCamelot, and made his way out onto the flat, stone roof.  Night had fallen, and the air had grown cold.  His breath escaped him in great gouts of silvery steam.  He and his mother were both pleased at what had happened, and yet Mordred did not fully understand his glee.

For the door to open for him to seize the crown? Of course, this pleased him.  But why did he take such delight in seeing his Uncle reformed into a damsel?  Why did it make him feel so– excited?  He didn’t understand it, and he decided he didn’t care.  He turned his eyes to the twinkling stars in the heavens, and he offered a prayer of thanks to Ceridwen for her wonderful works of magic.  His prayer finished, he plunged back down into the castle.  There was much to do.

The Lady Arthur of Camelot

La Demoiselle d Arthur

And her Knights of the Table Round

In which Arthur, KIng of the Britons, does find

himself a lady fair

It was The Feast of Saint George, and in the Great Hall of Camelot, King Arthur and his knights gathered for a banquet.  The seven famed hearths blazed with mighty fires, and the room swam in the succulent smell of roasting pork, veal and venison.  Servants scurried here and there, refilling mugs with ale, but the food waited– as it always did on the Feast of Saint George– for the occurence a miracle.

“Arthur,” Sir Yvain said, and not for the first time.  “Just a slice.  I am famished.”

“Patience,” Arthur said.  “The meal will be all the more satisfying knowing that you earned it through your pious devotion.”

“But I am sooo hungry.”

“You will make it, my friend,” Arthur said, patting him on the wrist.  “I am sure you will.”

“This waiting for miracles is for fools,” Mordred said. “Irish blarney.  We are Celts, and it is time to admit that.”

Arthur hid his irritation behind a fatherly smile. “Our faith has delivered us many victories in war. Our traditions guide our footsteps, so we do not stray…”

“Into the forest of folly,” Mordred groaned.  “Yes, I recall as you have only said that same thing to me, I don’t know?  There are fewer stars in the heavens, I will say that much.”

Arthur sighed.  It was a failing on his part, but he did not like Mordred.  Arthur, in fact, would never have awarded the arrogant young man a place at the round table, but for the fact that the boy’s mother, Morgana, had begged him, and she was his sister, and the boy his nephew.  Yet, Arthur considered his inability to like his nephew as falling short of his Christian obligations as an Uncle.

“Remember, Arthur,” Lancelot said, breaking off his conversation with Percival.  “We united England for the benefit of the future generations.”

“That may have been a mistake,” Arthur said, taking a sip of ale.  “It may we have made things too easy on the young.”

Mordred scowled, dreading another if you only knew how hard I had it when I was your age speech. “I need warm myself by the fire,” Mordred said, getting up and sauntering over to one of the great hearths, mug of ale in hand.  As he walked, he marvelled at the floor of the great hall– all intricate mosaic tiles, artfully laid out in the images of the Roman gods– a floor left over from those who originally constructed this mighty hall, the Roman Legions who had held this fort, it was said, for many hundreds of years.

There was the image of a man atop a mountain, bolt of lightning in his hands.  A woman hunting. Few Britons remembered anymore who these Gods were, their stories, but the images had always fascinated Mordred, and since he’d first come here as a child, he’d made up stories to go with the images.

The walls of Great Hall had been plastered and painted with the images of the Celtic Gods– and these names Mordred did know.  Dadga, Morrigan, Brigid and Danus among so many more.  Mordred reached up and gently lay his fingers on the image of Mighty Dagda, and his heart sang, even to grow cold as he looked over and saw the image of the cross.

Mordred frowned and looked back to his Celtic Gods.  His mother Morgana had told him all the stories, had told him of the way the Irish had come and turned the people of Briton against their traditions.  “The Irish,” Morgana had said in disgust. “Of course, they of all people would fall in love with a religion that serves wine in the middle of the ceremony!”

It had only been a few generations since the Christians had come to Briton, and Morgana had filled Mordred with a zeal to restore the old gods, to sweep these Irish and their wine soaked rituals into the sea. He glanced over at Arthur, who now laughed and drank with his men, but Mordred could see the grey starting to fill his head, the wrinkles about his eyes.  How long?  He wondered. How long until that old fool dies, and I can fix all that he has done wrong to our people?

Arthur, despite Mordred’s irritating display, felt a general sense of well-being.  Indeed, after many fierce battles, the warring kingdoms of Briton now stood united.  The people prospered, and he’d established a uniform system of justice to be applied through all the lands.  Built roads.  I am, he thought, looking about the fine men gathered at his round table, perhaps the greatest king ever.

Just as that thought crossed his mind, the doors to the great hall flung open, the steel bound oaken frames slamming against the stone walls, sending a terrible noise like thunder through the chamber.  A chill wind came swirling into the room, followed by the clatter of horses’ hooves, and then a mighty white steed trotted into the hall, upon which rode a tiny, slender figure in flashing chain mail and an iron helmet, the visor pulled down.

“Ah,” Arthur called out.  “Our miracle arrives.”

Mordred scowled.  He scowled often.  In this case, it rankled that once again Arthur and his expectations of miracles on St George’s Day had been fulfilled.

The tiny figure leapt from the house, landing with a “clang” and then immediately drew its sword.  The hand of every knight went to the sword that rested next to his chair, thinking this strange little man meant harm to Arthur, but the King, trusting their visitor the manifestation of divine providence, waved his hand.

“Why do you come to the Court of Arthur, King of all the Britons?”  He asked.

The figure lowered its sword and dropped to a knee.  “I have come to join the round table.”

The men all laughed, as this figure seemed a child, and far too small to be of use in battle.  Arthur chuckled as well.  “Show me your face.”

“Yes, your highness.”  The helmet came off, and golden hair spilled out, pouring down over the shoulders.  It appeared they were speaking to a child, and a girl child at that.

“Are you a girl?”  Arthur asked.

“Yes,” the girl said, her eyes hard, serious, determined.  If she heard the laughter, she did not acknowledge it. “And I am pure of heart and stout of arm.  I have come across the sea from Leon, where I had a vision of the Virgin Mary.  She told me I was to travel here and join the round table.”

“Indeed?”  Arthur said, glancing around at his men, who were all chuckling, and yet curious as well.  This was, after all, the St George’s miracle, and so must not be dismissed. “Your name?”

“Ceridwen,” the girl said.

Mordred, who’d been watching with practiced teen-age boredom, started at the name.  It was the name of a celtic goddess, but could this be the shape-shifter, herself?

Arthur looked at the young girl.  She appeared to be about 12 or 13.  These miracles usually involved some sort of test for him or one of his knights, but in this case he’d been merely asked a question.  Perhaps, he decided, I am called on to show grace.  He adopted his fatherly ‘about to give bad news’ look and tone. “Well, little one, you are certainly bold to have made such a journey, and I do not question your heart.  But, brave as you are, the life of a knight is not suited to a young girl.”

Now, Ceridwen smiled.  “Are you saying, great king, that I am too young?”

“Indeed,” Arthur said.  “But what if I were to send you to be with my wife and the other ladies?  You could try on a beautiful dress or do other such things as ladies do.”

“I travelled across the sea to join the round table,” the girl said.  “And if I am too young, then I will grow older.”  With that, she stood and waved her arms and all watched in wonder as she sprouted, growing a full foot and now standing 6 feet tall.  No longer did she have a youthful face, but that of a grown woman.  

The men all gasped.

“I am no longer too young.  I request, again, that you make me one of your knights.”

Arthur thought.  What was the meaning of this test? He couldn’t just let any person join his retinue, and more, women were not allowed to serve as warriors.  It would be– unChristian of him. “You may no longer be too young,” he said. “But you have not proven your skill with a sword.  You must defeat another knight in a duel if you would be shown as worthy.”

“Very well,” Ceridwen said.  “I challenge every man in this room to a dual.  Who will fight me?”

The men all shrank back and averted their eyes.  Not Gawain nor Pervical, not Galahad, Agravain or Lancelot would meet the challenge.  First, because it was unheard of for a man of noble Christian blood to fight a woman, and second because this woman clearly knew magic.

Three times in total did Ceridwen call out the men of the roundtable, and three times the men did decline to meet her in battle.  Mordred sipped his ale, loving it all as both Arthur and his men seemed utterly cowed by this arrogant woman– if she, indeed, was a woman and not a goddess!

Ceridwen then turned to Arthur. “None of your brave knights will meet me.  Therefore, by the laws of chivalry, I am declared winner over them all.  I ask for a third time that you make me a knight of the round table.”  She looked Arthur directly in the eyes, and her look was of total defiance.

Arthur considered, and shook his head.  “You mention the courtly laws,” he said.  “Then, surely you must know by those very same laws that a woman can not be made a knight.  Would you ask me to dishonor myself by breaking the law?”

“No, my noble lord, but I would point out that the laws do allow a king to make any, and I do quote, “ any person a knight who he deems worthy, the judgment of the king superseding all other strictures.”

At this, some of the men chuckled.  Mordred laughed out loud, as he loved seeing his Uncle made to look the fool.

Arthur grimaced.  This girl, miracle or not, was proving as annoying as Mordred, and she was trying his patience, and it snapped.  “You are being ridiculous,” he said.  “You are  a sorcerous, a witch, and your spells and trickery do not change the fact that women are not meant to fight.  I can no more make a woman a knight than I could make a kitten a tiger.  Be gone from my hall, and waste no more of my time with your foolishness.”

The hall grew silent as all waited to see what Ceridwen would do.  The only sound was the popping of the fires.  Ceridwen sheathed her sword. She put her face in her hands, and for a moment seemed to be sobbing, but then she looked up, a wicked smile on her face, and she raised her hands, crying out, “You say a woman can not serve as a knight, Arthur?  Perhaps you should be one!”

With that, a great wind once more swept into the hall, forming a vortex which lifted Arthur off his feet.  He began to spin, slowly, struggling against the wind which seemed to have pinned his arms to his sides, to have taken his voice.  Arthur’s men rose, meaning to rush to his defense, but the wind pushed them back, heels scraping across the floor, and they were all thrown against the walls and pinned there, writhing helplessly against the power of Ceridwen.

All eyes were on Arthur now, and all looked in wonder as each time he spun, he was changed.  Turn– and long, thick hair now swirled about his head.  Turn– and now he seemed smaller than before.  Turn— and his breeches and tunic vanished, replaced by a woman’s gown.  Turn– and the gown did hug a shapely figure, slender waist, rounded hips.  Turn- and from the top of the dress spilled soft white breasts. Turn– and now narrow shoulders replaced his manly frame.  Turn– and dainty white arms dangled from his sleeveless dress.

The hall went dark, and all could hear Ceridwen laughing.  

“Arthur King, did he declare, a maiden could not be a knight

He swaggered and bellowed and played the man

But Ceridwen had other plans

Now that king a man no more

Now does he take a woman’s shape

Now does he face a woman’s fate

Small and pretty and soft and weak

No this girl is not a king

Nor can she a warrior be

Lady Arthur is meant for homemaking

A fertile mother and devoted wife

This now becomes Arthur’s life

Oh, why or why, she will cry

Oh my, oh my, she’d rather die

For being a woman, after once a king

Only sorrow her new life brings

The winds died down.  Arthur lowered to the floor, stumbling slightly.  He had felt himself changing, but did not understand the nature of the changes.  He now looked down to see his fresh, new breasts– soft and round.  He felt cold, and plucked at the clothes he wore, realizing he wore a dress, horrified, humiliated.  He looked at his hands, his slender wrists, his soft white arms, and his mind fought against it. He struggled, refusing to accept what his eyes were telling him, the words of Ceridwen’s song.  “A woman?”  He said, shocked at the sound of his voice.  “No.”

Arthur’s knights stared at him, at the woman he’d become.   In truth, it was part due to shock, and it was part because he was now the most lovely woman any of them had ever seen, with a face that would make an angel weep.  They all knew this fair maiden was none other than their King.  They all stood frozen, no one knowing what to do or say.  Ceridwen continued her song.

Is there no hope?  Must Arthur be

A maiden fair for all his years?

There is a way for our damsel dear

To escape her little life of tears

By midsomer, our virgin sweet

Must use her pure and womanly heart

To tame a unicorn with feminine art

To present to me by end of longest day

Shall the lady fail or be delayed

a maiden faire then she must stay

Arthur, sweet lass, for ever more

No more a knight, no more a king

This truth from her down mouth

She did decry.

Once more, Ceridwen waved her arms.  The knights and Arthur found themselves freed from her spell. The men charged Ceridwen, but she leapt upon her steed and rode out of the hall, leaving behind only her laughter.  Arthur had tried to charge his tormenter, but unused to a woman’s dress, he’d stepped on the hem and stumbled, falling to the ground, his long, black hair hanging around his face like a curtain.  He felt the wrongness of his body, his clothes.  It didn’t seem possible that he found himself a woman? No. 

A hand reached down, coming into his vision.  Arthur took it, and was helped to his feet, surprised how small and soft his hand felt in this man’s coarse, calloused grip.  As he stood, he looked up to see Mordred’s grinning face looking down at him–  how short am I? Arthur wondered.

“Milady,” Mordred said, putting a hand on the small of Atthur’s back and guiding him toward the exit.  “You must flee!

Bollywood Body Swap!

30 Rojullo Preminchadam Ela' Trailer: Two parallel love stories - Telugu  News - IndiaGlitz.com

Spoilers!

If you’ve ever wondered if it’s possible for anyone to offer anything fresh in the world of boy/girl body swaps, 30 Rojullo Preminchadam Ela, answers that question with a definitive yes. The film stands out both for the grand scope of the story (over 2 hours) as well as the commitment to storytelling. Oh, and there are also some new things in terms of the body swap evolution as well.

The film has three distinct act, each wth a different tone, which all build on each other. In the first section, we meet the young couple in the year 1947. They live in a small, country village and we see their carefree courtship amid gorgeous, golden scenery. Their loves ends in tragedy and anger.

The second act takes place in modern times. The doomed lovers have been reincarnated, and– no, they are not swapped yet. He is he and she is she. But, the bitterness and anger of their previous lives carries over, as when they meet on a college campus, there is instant recognition and revulsion. For a time, we see their characters and relationships develop. She is a serious student, a somewhat feminist and yet also dedicated to tradition. He is somewhat sexist, a jock who uses women. There is an amusing battle of the sexes dance number, made more amusing to me by the fact I know they will soon be in each other’s bodies.

So far, it seems like pretty much any body swap movie, plus dancing. And, in fact, that continues for awhile starting with a “If I were you” argument that ends up with them in each other’s bodies. There are two rules for them to get back to their own bodies. First, they can tell no one their real names. They must pretend to be each other. Second, they must return to the shrine in 30 Days.

Which is exactly when it starts to seem like this will be just another body swap movie. In fact, for a time it seems like a remake of It’s a Boy Girl Thing. How much does it resemble BG Thing? They live right next door to each other and are able to spy on each other’s hijinx. Some fun scenes include Arjoon (the guy) coming out of the shower in only a towel, and Akshara, seeing him, being horrified to realize he has “seen everything.” Arjun also immediately seems to revel in the opportunity to play the female, dressing sexy right away, flirting and seeming to revel in the attention. Akshara becomes enraged, and they begin to try and sabotage each other’s reputations (sound familiar) including some fun scenes where Jaroon, as Ashara, tries to seduce and sweet talk his old girlfriend, and later seems like he is going to sleep with his friend (a lowly nerd).

This was all fun, especially seeing Arjun wearing cute clothes and being all slutty. Yet, it is the third act where things get really interesting and which separate this film from so many others. When the 30th day comes, the characters go the shrine, but the seer who said he could switch them back has died. They are told now, that the only way to change back is to fall in love.

So, now they are stuck as each other, and their attempts to fake falling in love, including a very awkward kiss, fail. Which is when things go deep. Akshkara’s sister goes into labor. Since her husband is out of town, Arjun ends up being forced to be with her as she gives birth, holding her hand, telling her to breath. He does not want to do it, and we see that, in fact, Akshkara, in his body, is told to leave the room as it is considered improper for a man to be in the room.

The baby is handed to Arjun to hold, and as he holds the newborn baby, the doctor who delivered it tells him, “there were two births today.” She goes on to explain that when a woman has her first baby, she is reborn as a mother.

The experience jolts Arjun, who has previously stated he hates girls. He thinks of how cruel and unloving he has been to his own mother. Tears running down his cheeks, he runs through the rain to throw his arms around his mother and tell her how much he loves her.

Arjun is transformed. Now identifying with his mother, he has another tearful encounter with Akshara. She asks him why he is crying like a girl. “I am Akshara now,” he says, and they shake hands. Jarun now dedicates himself to becoming Akshara. He dresses like her, acts like her. We see the two of them hanging out doing date things much like they did in their past lives, and Arjun is sweet and feminine. His transformation seems complete to the point that at one point he yells “I need my sister!” Referring to Ashkara’s sister, the one who had the baby.

And we do get to see Arjun in formal dress, fully made up, looking radiant and proud when Ashkara, still in his body gazes at him in wonder.

The story climaxes when Akshara, trying to be Arjun, attempts to fight as a kick boxer. We see Arjun, the frought and worried female, running about in his dress, trying to end the fight the fight before Ashkara gets hurt. She, determined to play his role, refuses to stop though she is being badly beaten.

And what happens next is—- you’ll have to watch the movie!

One final note. I thought the main two actors did very well, especially as they performed in three different styles. Both played the light comedy nicely, but also tremendous emotion for the dramatic scenes. I also liked the script very much, as so much of what happens early builds to dramatic impact when we see what happens later.

New ebook: Girls’ Trip!

I just released a new book, the first in almost 6 months! Wow! Let’s make sure that doesn’t happen again. It’s 80 pages of gender swapping fun! Synopsis and links below:

—————————————-

When Colin hears his female friends have planned a girls only weekend on Miami Beach, he begs them to let him come along. Finally, wearing them down, he has no idea they plan for him to have the full “girl experience.” When Colin finds himself transformed into a sexy beach bunny, will he be man enough to take it all the way?

This story includes male to female gender swap, fashion erotica and some steamy, R-rated sex!


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https://www.patreon.com/tgkadee

Gender Role Reversal Now on Amazon

It’s seems there are fewer gender bending movies and shows coming out lately, so I am always super excited when I discover something new. And new s what I have for you in the form of a TV series from India called “Man’s World.”

Set in contemporary times, the story follows Kiran, who believes that life in modern times has become unfair to men. He thinks that, thanks to the progress women have made, men now have it worse. He makes a wish one day that men and women could trade places. He wakes to find himself in a world very much like our own, but where, just as he wished, the roles of men and women have been reversed.

Naturally, he discovers being a member of what is now viewed as the “weaker sex” not as awesome as he imagined, and he experiences all of the things women have to put up with on a regular basis, from being cat called and ogled, to facing sexism at work. Oh, and there is one big biological switch. In this world, men have periods, and they are ones who have babies as well.

It would classify it as a dramedy, and each episode ends with heartfelt pleas for equality. And, there are some issues that may be surprising to audiences from some other cultures. When Kiran has a boy, for example, there is a great deal of disappointment, as boys are considered of so much less worth.

It’s currenly free if you have Amazon Prime:

https://www.amazon.com/gp/video/detail/B08Y926N6M/ref=atv_dp_share_cu_r

Lost Manuscript Discovered: La Demioselle Arthur

In Which The Author TG Kadee dost reveal the discovery of forgotten lore.

I am very excited to share with you all that I have, indeed, discovered a long forgotten manuscript which relates of the time King Arthur found himself transformed into a maiden faire, and did set forth a quest along with his trusty friend, Sir Lancelot, to tame a unicorn and regain his lost manhood. Further, it relates how the nefarious Mordred and his mother, the diabolical Morgana LeFey, did scheme to use trap Arthur in female form, and steal his crown.

The story takes place firmly within the tradition of courtly romance. There is passion, intrigue, honor and nobility. Arthur finds himself in numerous entanglements and intrigues, adventures and plots. He is determined to be yet a man no matter what shape his body takes, but what to when he might better reach his goals with a pretty smile than an iron fist?

I will begin releasing the story in chapters starting April 5th! http://www.patreon.com/tgkadee

Twisted Tales of TG Horror!

The new book is out! This one is unusual for me as it is a collection of short stories that run through a variety of horror sub-genres and classic TG tropes such as the infamous cross-dressing Halloween party. There are ghosts and haunted mansions, mysterious kicks in the belly, and menacing phantoms. It was fun to write and I’m betting it will be fun to read! I want to thank all my Patrons on Patreon for their support which helps me keep on making TG artwork!

Here are the links:

United States. United Kingdom Germany. France Italy. Spain.

Australia. Canada. Japan. India. Brazil. Mexico. Netherlands.

Drop me a line. Let me know what you think! Or, leave a review. If you want first looks at stories like these as well as TG GIFS and short films, support me on Patreon: http://www.patreon.com/tgkadee

Pulse: MTF Body Swap Movie

Pulse | FilmInk
Olly, foreground, decides to become a girl.

If you crave a body swap movie that avoids the usual cliches of the genre, Pulse may just be the film for you. How is it different? Let me list some of the ways.

First, Olly, the protagonist is NOT some sexist or callous male who needs to walk a mile in her heels to learn some life lessons. In fact, Olly is a gay, disabled teen age boy. He long for a new body in part to escape his disability, and he thinks becoming a girl will allow for him to have a relationship with a straight boy he is in love with and has been for years.

Other than one scene where Olly is amazed to have BOOBS! The film otherwise plays dark and dramatic. The creators choose to have many scenes after Olly gets his new body where they cut back and forth between how he looks to the world– a young blonde– and his “inner self.” This worked for me in the sense that in many of these movies I feel it is easy to forget the “guy” inside. In Pulse, we are constantly reminded, and without giving away too much it also speaks to what ultimately becomes the theme of the film.

Olly has a very supportive group of friends. They embrace his choice, and the only concerns they raise relate to the intolerance of people and how he needs to be careful. Olly’s mom is okay with it as well, though her own drinking problems and absentee motherhood have as much to do with it as her willingness to support her son’s choices. Still, Olly then proceeds to engage in a lot of alcohol related behaviors some young people stumble into, and we get a kind of coming of age story within the gender swap.

I thought the acting was great, and I liked the style of the show, which is currently streaming in the US on the HERE network. I do recommend, but now I must address the ISSUES. Stop here if you do not want to get into the politics.

_______________________________________ Politics and some spoilers————————————

The concerns I have seen raised about this film are numerous. First, there are concerns about how it could be seen as making trans look like a choice. The creators state that the movie in their view has nothing to do with the trans experience and was not in any way to suggest trans people just choose to be trans. In this day and age, every gender swap movie is examined in terms of how it can impact the trans community, which is very important given the reality of the dangers posed by intolerance, ignorance and hate.

Another concern raised is that if re-enforces an assumption made by some cis people that gay men want to be women. I feel what this movie explores more specifically, and the writer has stated it was inspired by his own experiences growing up and exploring his sexual identity, is a much more common fantasy. That is, seeing someone who is attracted to the opposite sex and kind of wishing that you were that sex, so they could love you. It is not a fantasy that is really rooted in that feeling of being in the wrong body, but a kind of fantasy. The same thing can happen in terms of our types– the nerdy girl who wishes she was a cheerleader so the quarterback would like her, or a dorky guy who wishes he was the quarterback.

Some young people even do change to become what they feel others want them to be, a strategy that usually leads to unhappiness and regret.

Lastly, of course, is the portrayal of the notion that his disability is something to be escaped. We live in an amazing and awesome era where differently-abled people have embraced and thrived. So, here’s the thing and where we get to the spoiler. Olly ends up going back to being a boy. He finds out that becoming someone else does not solve all his problems. He learns that being a disabled gay man is who he is, and all he needs to be.

That, to me, is a positive message.

New Book!

Check out my new book! Carrolwood. So, what makes this story different from the others I’ve written? A few things. First, I explore the relationships of my main characters, Carl and Sunni, with their parents. We see how their gender swaps change the family dynamic. Second, and this is rare for me, it includes both a MTF and FTM swap. So, I set out to create something fresh and different.

It’s a rivals to lovers style tale with a gender bender angle and a narrator who’s a lot of fun. Free sample!

United States United Kingdom Germany France. Spain. Italy. Netherlands

Canada. Australia. Japan. Brazil. Mexico. India