The Lady Arthur of Camelot

La Demoiselle d Arthur

And her Knights of the Table Round

In which Arthur, KIng of the Britons, does find

himself a lady fair

It was The Feast of Saint George, and in the Great Hall of Camelot, King Arthur and his knights gathered for a banquet.  The seven famed hearths blazed with mighty fires, and the room swam in the succulent smell of roasting pork, veal and venison.  Servants scurried here and there, refilling mugs with ale, but the food waited– as it always did on the Feast of Saint George– for the occurence a miracle.

“Arthur,” Sir Yvain said, and not for the first time.  “Just a slice.  I am famished.”

“Patience,” Arthur said.  “The meal will be all the more satisfying knowing that you earned it through your pious devotion.”

“But I am sooo hungry.”

“You will make it, my friend,” Arthur said, patting him on the wrist.  “I am sure you will.”

“This waiting for miracles is for fools,” Mordred said. “Irish blarney.  We are Celts, and it is time to admit that.”

Arthur hid his irritation behind a fatherly smile. “Our faith has delivered us many victories in war. Our traditions guide our footsteps, so we do not stray…”

“Into the forest of folly,” Mordred groaned.  “Yes, I recall as you have only said that same thing to me, I don’t know?  There are fewer stars in the heavens, I will say that much.”

Arthur sighed.  It was a failing on his part, but he did not like Mordred.  Arthur, in fact, would never have awarded the arrogant young man a place at the round table, but for the fact that the boy’s mother, Morgana, had begged him, and she was his sister, and the boy his nephew.  Yet, Arthur considered his inability to like his nephew as falling short of his Christian obligations as an Uncle.

“Remember, Arthur,” Lancelot said, breaking off his conversation with Percival.  “We united England for the benefit of the future generations.”

“That may have been a mistake,” Arthur said, taking a sip of ale.  “It may we have made things too easy on the young.”

Mordred scowled, dreading another if you only knew how hard I had it when I was your age speech. “I need warm myself by the fire,” Mordred said, getting up and sauntering over to one of the great hearths, mug of ale in hand.  As he walked, he marvelled at the floor of the great hall– all intricate mosaic tiles, artfully laid out in the images of the Roman gods– a floor left over from those who originally constructed this mighty hall, the Roman Legions who had held this fort, it was said, for many hundreds of years.

There was the image of a man atop a mountain, bolt of lightning in his hands.  A woman hunting. Few Britons remembered anymore who these Gods were, their stories, but the images had always fascinated Mordred, and since he’d first come here as a child, he’d made up stories to go with the images.

The walls of Great Hall had been plastered and painted with the images of the Celtic Gods– and these names Mordred did know.  Dadga, Morrigan, Brigid and Danus among so many more.  Mordred reached up and gently lay his fingers on the image of Mighty Dagda, and his heart sang, even to grow cold as he looked over and saw the image of the cross.

Mordred frowned and looked back to his Celtic Gods.  His mother Morgana had told him all the stories, had told him of the way the Irish had come and turned the people of Briton against their traditions.  “The Irish,” Morgana had said in disgust. “Of course, they of all people would fall in love with a religion that serves wine in the middle of the ceremony!”

It had only been a few generations since the Christians had come to Briton, and Morgana had filled Mordred with a zeal to restore the old gods, to sweep these Irish and their wine soaked rituals into the sea. He glanced over at Arthur, who now laughed and drank with his men, but Mordred could see the grey starting to fill his head, the wrinkles about his eyes.  How long?  He wondered. How long until that old fool dies, and I can fix all that he has done wrong to our people?

Arthur, despite Mordred’s irritating display, felt a general sense of well-being.  Indeed, after many fierce battles, the warring kingdoms of Briton now stood united.  The people prospered, and he’d established a uniform system of justice to be applied through all the lands.  Built roads.  I am, he thought, looking about the fine men gathered at his round table, perhaps the greatest king ever.

Just as that thought crossed his mind, the doors to the great hall flung open, the steel bound oaken frames slamming against the stone walls, sending a terrible noise like thunder through the chamber.  A chill wind came swirling into the room, followed by the clatter of horses’ hooves, and then a mighty white steed trotted into the hall, upon which rode a tiny, slender figure in flashing chain mail and an iron helmet, the visor pulled down.

“Ah,” Arthur called out.  “Our miracle arrives.”

Mordred scowled.  He scowled often.  In this case, it rankled that once again Arthur and his expectations of miracles on St George’s Day had been fulfilled.

The tiny figure leapt from the house, landing with a “clang” and then immediately drew its sword.  The hand of every knight went to the sword that rested next to his chair, thinking this strange little man meant harm to Arthur, but the King, trusting their visitor the manifestation of divine providence, waved his hand.

“Why do you come to the Court of Arthur, King of all the Britons?”  He asked.

The figure lowered its sword and dropped to a knee.  “I have come to join the round table.”

The men all laughed, as this figure seemed a child, and far too small to be of use in battle.  Arthur chuckled as well.  “Show me your face.”

“Yes, your highness.”  The helmet came off, and golden hair spilled out, pouring down over the shoulders.  It appeared they were speaking to a child, and a girl child at that.

“Are you a girl?”  Arthur asked.

“Yes,” the girl said, her eyes hard, serious, determined.  If she heard the laughter, she did not acknowledge it. “And I am pure of heart and stout of arm.  I have come across the sea from Leon, where I had a vision of the Virgin Mary.  She told me I was to travel here and join the round table.”

“Indeed?”  Arthur said, glancing around at his men, who were all chuckling, and yet curious as well.  This was, after all, the St George’s miracle, and so must not be dismissed. “Your name?”

“Ceridwen,” the girl said.

Mordred, who’d been watching with practiced teen-age boredom, started at the name.  It was the name of a celtic goddess, but could this be the shape-shifter, herself?

Arthur looked at the young girl.  She appeared to be about 12 or 13.  These miracles usually involved some sort of test for him or one of his knights, but in this case he’d been merely asked a question.  Perhaps, he decided, I am called on to show grace.  He adopted his fatherly ‘about to give bad news’ look and tone. “Well, little one, you are certainly bold to have made such a journey, and I do not question your heart.  But, brave as you are, the life of a knight is not suited to a young girl.”

Now, Ceridwen smiled.  “Are you saying, great king, that I am too young?”

“Indeed,” Arthur said.  “But what if I were to send you to be with my wife and the other ladies?  You could try on a beautiful dress or do other such things as ladies do.”

“I travelled across the sea to join the round table,” the girl said.  “And if I am too young, then I will grow older.”  With that, she stood and waved her arms and all watched in wonder as she sprouted, growing a full foot and now standing 6 feet tall.  No longer did she have a youthful face, but that of a grown woman.  

The men all gasped.

“I am no longer too young.  I request, again, that you make me one of your knights.”

Arthur thought.  What was the meaning of this test? He couldn’t just let any person join his retinue, and more, women were not allowed to serve as warriors.  It would be– unChristian of him. “You may no longer be too young,” he said. “But you have not proven your skill with a sword.  You must defeat another knight in a duel if you would be shown as worthy.”

“Very well,” Ceridwen said.  “I challenge every man in this room to a dual.  Who will fight me?”

The men all shrank back and averted their eyes.  Not Gawain nor Pervical, not Galahad, Agravain or Lancelot would meet the challenge.  First, because it was unheard of for a man of noble Christian blood to fight a woman, and second because this woman clearly knew magic.

Three times in total did Ceridwen call out the men of the roundtable, and three times the men did decline to meet her in battle.  Mordred sipped his ale, loving it all as both Arthur and his men seemed utterly cowed by this arrogant woman– if she, indeed, was a woman and not a goddess!

Ceridwen then turned to Arthur. “None of your brave knights will meet me.  Therefore, by the laws of chivalry, I am declared winner over them all.  I ask for a third time that you make me a knight of the round table.”  She looked Arthur directly in the eyes, and her look was of total defiance.

Arthur considered, and shook his head.  “You mention the courtly laws,” he said.  “Then, surely you must know by those very same laws that a woman can not be made a knight.  Would you ask me to dishonor myself by breaking the law?”

“No, my noble lord, but I would point out that the laws do allow a king to make any, and I do quote, “ any person a knight who he deems worthy, the judgment of the king superseding all other strictures.”

At this, some of the men chuckled.  Mordred laughed out loud, as he loved seeing his Uncle made to look the fool.

Arthur grimaced.  This girl, miracle or not, was proving as annoying as Mordred, and she was trying his patience, and it snapped.  “You are being ridiculous,” he said.  “You are  a sorcerous, a witch, and your spells and trickery do not change the fact that women are not meant to fight.  I can no more make a woman a knight than I could make a kitten a tiger.  Be gone from my hall, and waste no more of my time with your foolishness.”

The hall grew silent as all waited to see what Ceridwen would do.  The only sound was the popping of the fires.  Ceridwen sheathed her sword. She put her face in her hands, and for a moment seemed to be sobbing, but then she looked up, a wicked smile on her face, and she raised her hands, crying out, “You say a woman can not serve as a knight, Arthur?  Perhaps you should be one!”

With that, a great wind once more swept into the hall, forming a vortex which lifted Arthur off his feet.  He began to spin, slowly, struggling against the wind which seemed to have pinned his arms to his sides, to have taken his voice.  Arthur’s men rose, meaning to rush to his defense, but the wind pushed them back, heels scraping across the floor, and they were all thrown against the walls and pinned there, writhing helplessly against the power of Ceridwen.

All eyes were on Arthur now, and all looked in wonder as each time he spun, he was changed.  Turn– and long, thick hair now swirled about his head.  Turn– and now he seemed smaller than before.  Turn— and his breeches and tunic vanished, replaced by a woman’s gown.  Turn– and the gown did hug a shapely figure, slender waist, rounded hips.  Turn- and from the top of the dress spilled soft white breasts. Turn– and now narrow shoulders replaced his manly frame.  Turn– and dainty white arms dangled from his sleeveless dress.

The hall went dark, and all could hear Ceridwen laughing.  

“Arthur King, did he declare, a maiden could not be a knight

He swaggered and bellowed and played the man

But Ceridwen had other plans

Now that king a man no more

Now does he take a woman’s shape

Now does he face a woman’s fate

Small and pretty and soft and weak

No this girl is not a king

Nor can she a warrior be

Lady Arthur is meant for homemaking

A fertile mother and devoted wife

This now becomes Arthur’s life

Oh, why or why, she will cry

Oh my, oh my, she’d rather die

For being a woman, after once a king

Only sorrow her new life brings

The winds died down.  Arthur lowered to the floor, stumbling slightly.  He had felt himself changing, but did not understand the nature of the changes.  He now looked down to see his fresh, new breasts– soft and round.  He felt cold, and plucked at the clothes he wore, realizing he wore a dress, horrified, humiliated.  He looked at his hands, his slender wrists, his soft white arms, and his mind fought against it. He struggled, refusing to accept what his eyes were telling him, the words of Ceridwen’s song.  “A woman?”  He said, shocked at the sound of his voice.  “No.”

Arthur’s knights stared at him, at the woman he’d become.   In truth, it was part due to shock, and it was part because he was now the most lovely woman any of them had ever seen, with a face that would make an angel weep.  They all knew this fair maiden was none other than their King.  They all stood frozen, no one knowing what to do or say.  Ceridwen continued her song.

Is there no hope?  Must Arthur be

A maiden fair for all his years?

There is a way for our damsel dear

To escape her little life of tears

By midsomer, our virgin sweet

Must use her pure and womanly heart

To tame a unicorn with feminine art

To present to me by end of longest day

Shall the lady fail or be delayed

a maiden faire then she must stay

Arthur, sweet lass, for ever more

No more a knight, no more a king

This truth from her down mouth

She did decry.

Once more, Ceridwen waved her arms.  The knights and Arthur found themselves freed from her spell. The men charged Ceridwen, but she leapt upon her steed and rode out of the hall, leaving behind only her laughter.  Arthur had tried to charge his tormenter, but unused to a woman’s dress, he’d stepped on the hem and stumbled, falling to the ground, his long, black hair hanging around his face like a curtain.  He felt the wrongness of his body, his clothes.  It didn’t seem possible that he found himself a woman? No. 

A hand reached down, coming into his vision.  Arthur took it, and was helped to his feet, surprised how small and soft his hand felt in this man’s coarse, calloused grip.  As he stood, he looked up to see Mordred’s grinning face looking down at him–  how short am I? Arthur wondered.

“Milady,” Mordred said, putting a hand on the small of Atthur’s back and guiding him toward the exit.  “You must flee!

Bollywood Body Swap!

30 Rojullo Preminchadam Ela' Trailer: Two parallel love stories - Telugu  News - IndiaGlitz.com

Spoilers!

If you’ve ever wondered if it’s possible for anyone to offer anything fresh in the world of boy/girl body swaps, 30 Rojullo Preminchadam Ela, answers that question with a definitive yes. The film stands out both for the grand scope of the story (over 2 hours) as well as the commitment to storytelling. Oh, and there are also some new things in terms of the body swap evolution as well.

The film has three distinct act, each wth a different tone, which all build on each other. In the first section, we meet the young couple in the year 1947. They live in a small, country village and we see their carefree courtship amid gorgeous, golden scenery. Their loves ends in tragedy and anger.

The second act takes place in modern times. The doomed lovers have been reincarnated, and– no, they are not swapped yet. He is he and she is she. But, the bitterness and anger of their previous lives carries over, as when they meet on a college campus, there is instant recognition and revulsion. For a time, we see their characters and relationships develop. She is a serious student, a somewhat feminist and yet also dedicated to tradition. He is somewhat sexist, a jock who uses women. There is an amusing battle of the sexes dance number, made more amusing to me by the fact I know they will soon be in each other’s bodies.

So far, it seems like pretty much any body swap movie, plus dancing. And, in fact, that continues for awhile starting with a “If I were you” argument that ends up with them in each other’s bodies. There are two rules for them to get back to their own bodies. First, they can tell no one their real names. They must pretend to be each other. Second, they must return to the shrine in 30 Days.

Which is exactly when it starts to seem like this will be just another body swap movie. In fact, for a time it seems like a remake of It’s a Boy Girl Thing. How much does it resemble BG Thing? They live right next door to each other and are able to spy on each other’s hijinx. Some fun scenes include Arjoon (the guy) coming out of the shower in only a towel, and Akshara, seeing him, being horrified to realize he has “seen everything.” Arjun also immediately seems to revel in the opportunity to play the female, dressing sexy right away, flirting and seeming to revel in the attention. Akshara becomes enraged, and they begin to try and sabotage each other’s reputations (sound familiar) including some fun scenes where Jaroon, as Ashara, tries to seduce and sweet talk his old girlfriend, and later seems like he is going to sleep with his friend (a lowly nerd).

This was all fun, especially seeing Arjun wearing cute clothes and being all slutty. Yet, it is the third act where things get really interesting and which separate this film from so many others. When the 30th day comes, the characters go the shrine, but the seer who said he could switch them back has died. They are told now, that the only way to change back is to fall in love.

So, now they are stuck as each other, and their attempts to fake falling in love, including a very awkward kiss, fail. Which is when things go deep. Akshkara’s sister goes into labor. Since her husband is out of town, Arjun ends up being forced to be with her as she gives birth, holding her hand, telling her to breath. He does not want to do it, and we see that, in fact, Akshkara, in his body, is told to leave the room as it is considered improper for a man to be in the room.

The baby is handed to Arjun to hold, and as he holds the newborn baby, the doctor who delivered it tells him, “there were two births today.” She goes on to explain that when a woman has her first baby, she is reborn as a mother.

The experience jolts Arjun, who has previously stated he hates girls. He thinks of how cruel and unloving he has been to his own mother. Tears running down his cheeks, he runs through the rain to throw his arms around his mother and tell her how much he loves her.

Arjun is transformed. Now identifying with his mother, he has another tearful encounter with Akshara. She asks him why he is crying like a girl. “I am Akshara now,” he says, and they shake hands. Jarun now dedicates himself to becoming Akshara. He dresses like her, acts like her. We see the two of them hanging out doing date things much like they did in their past lives, and Arjun is sweet and feminine. His transformation seems complete to the point that at one point he yells “I need my sister!” Referring to Ashkara’s sister, the one who had the baby.

And we do get to see Arjun in formal dress, fully made up, looking radiant and proud when Ashkara, still in his body gazes at him in wonder.

The story climaxes when Akshara, trying to be Arjun, attempts to fight as a kick boxer. We see Arjun, the frought and worried female, running about in his dress, trying to end the fight the fight before Ashkara gets hurt. She, determined to play his role, refuses to stop though she is being badly beaten.

And what happens next is—- you’ll have to watch the movie!

One final note. I thought the main two actors did very well, especially as they performed in three different styles. Both played the light comedy nicely, but also tremendous emotion for the dramatic scenes. I also liked the script very much, as so much of what happens early builds to dramatic impact when we see what happens later.

New ebook: Girls’ Trip!

I just released a new book, the first in almost 6 months! Wow! Let’s make sure that doesn’t happen again. It’s 80 pages of gender swapping fun! Synopsis and links below:

—————————————-

When Colin hears his female friends have planned a girls only weekend on Miami Beach, he begs them to let him come along. Finally, wearing them down, he has no idea they plan for him to have the full “girl experience.” When Colin finds himself transformed into a sexy beach bunny, will he be man enough to take it all the way?

This story includes male to female gender swap, fashion erotica and some steamy, R-rated sex!


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This story originally came out on my Patreon. Join for my latest stories and TG Caps:

https://www.patreon.com/tgkadee

Gender Role Reversal Now on Amazon

It’s seems there are fewer gender bending movies and shows coming out lately, so I am always super excited when I discover something new. And new s what I have for you in the form of a TV series from India called “Man’s World.”

Set in contemporary times, the story follows Kiran, who believes that life in modern times has become unfair to men. He thinks that, thanks to the progress women have made, men now have it worse. He makes a wish one day that men and women could trade places. He wakes to find himself in a world very much like our own, but where, just as he wished, the roles of men and women have been reversed.

Naturally, he discovers being a member of what is now viewed as the “weaker sex” not as awesome as he imagined, and he experiences all of the things women have to put up with on a regular basis, from being cat called and ogled, to facing sexism at work. Oh, and there is one big biological switch. In this world, men have periods, and they are ones who have babies as well.

It would classify it as a dramedy, and each episode ends with heartfelt pleas for equality. And, there are some issues that may be surprising to audiences from some other cultures. When Kiran has a boy, for example, there is a great deal of disappointment, as boys are considered of so much less worth.

It’s currenly free if you have Amazon Prime:

https://www.amazon.com/gp/video/detail/B08Y926N6M/ref=atv_dp_share_cu_r

Lost Manuscript Discovered: La Demioselle Arthur

In Which The Author TG Kadee dost reveal the discovery of forgotten lore.

I am very excited to share with you all that I have, indeed, discovered a long forgotten manuscript which relates of the time King Arthur found himself transformed into a maiden faire, and did set forth a quest along with his trusty friend, Sir Lancelot, to tame a unicorn and regain his lost manhood. Further, it relates how the nefarious Mordred and his mother, the diabolical Morgana LeFey, did scheme to use trap Arthur in female form, and steal his crown.

The story takes place firmly within the tradition of courtly romance. There is passion, intrigue, honor and nobility. Arthur finds himself in numerous entanglements and intrigues, adventures and plots. He is determined to be yet a man no matter what shape his body takes, but what to when he might better reach his goals with a pretty smile than an iron fist?

I will begin releasing the story in chapters starting April 5th! http://www.patreon.com/tgkadee

Twisted Tales of TG Horror!

The new book is out! This one is unusual for me as it is a collection of short stories that run through a variety of horror sub-genres and classic TG tropes such as the infamous cross-dressing Halloween party. There are ghosts and haunted mansions, mysterious kicks in the belly, and menacing phantoms. It was fun to write and I’m betting it will be fun to read! I want to thank all my Patrons on Patreon for their support which helps me keep on making TG artwork!

Here are the links:

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Australia. Canada. Japan. India. Brazil. Mexico. Netherlands.

Drop me a line. Let me know what you think! Or, leave a review. If you want first looks at stories like these as well as TG GIFS and short films, support me on Patreon: http://www.patreon.com/tgkadee

Pulse: MTF Body Swap Movie

Pulse | FilmInk
Olly, foreground, decides to become a girl.

If you crave a body swap movie that avoids the usual cliches of the genre, Pulse may just be the film for you. How is it different? Let me list some of the ways.

First, Olly, the protagonist is NOT some sexist or callous male who needs to walk a mile in her heels to learn some life lessons. In fact, Olly is a gay, disabled teen age boy. He long for a new body in part to escape his disability, and he thinks becoming a girl will allow for him to have a relationship with a straight boy he is in love with and has been for years.

Other than one scene where Olly is amazed to have BOOBS! The film otherwise plays dark and dramatic. The creators choose to have many scenes after Olly gets his new body where they cut back and forth between how he looks to the world– a young blonde– and his “inner self.” This worked for me in the sense that in many of these movies I feel it is easy to forget the “guy” inside. In Pulse, we are constantly reminded, and without giving away too much it also speaks to what ultimately becomes the theme of the film.

Olly has a very supportive group of friends. They embrace his choice, and the only concerns they raise relate to the intolerance of people and how he needs to be careful. Olly’s mom is okay with it as well, though her own drinking problems and absentee motherhood have as much to do with it as her willingness to support her son’s choices. Still, Olly then proceeds to engage in a lot of alcohol related behaviors some young people stumble into, and we get a kind of coming of age story within the gender swap.

I thought the acting was great, and I liked the style of the show, which is currently streaming in the US on the HERE network. I do recommend, but now I must address the ISSUES. Stop here if you do not want to get into the politics.

_______________________________________ Politics and some spoilers————————————

The concerns I have seen raised about this film are numerous. First, there are concerns about how it could be seen as making trans look like a choice. The creators state that the movie in their view has nothing to do with the trans experience and was not in any way to suggest trans people just choose to be trans. In this day and age, every gender swap movie is examined in terms of how it can impact the trans community, which is very important given the reality of the dangers posed by intolerance, ignorance and hate.

Another concern raised is that if re-enforces an assumption made by some cis people that gay men want to be women. I feel what this movie explores more specifically, and the writer has stated it was inspired by his own experiences growing up and exploring his sexual identity, is a much more common fantasy. That is, seeing someone who is attracted to the opposite sex and kind of wishing that you were that sex, so they could love you. It is not a fantasy that is really rooted in that feeling of being in the wrong body, but a kind of fantasy. The same thing can happen in terms of our types– the nerdy girl who wishes she was a cheerleader so the quarterback would like her, or a dorky guy who wishes he was the quarterback.

Some young people even do change to become what they feel others want them to be, a strategy that usually leads to unhappiness and regret.

Lastly, of course, is the portrayal of the notion that his disability is something to be escaped. We live in an amazing and awesome era where differently-abled people have embraced and thrived. So, here’s the thing and where we get to the spoiler. Olly ends up going back to being a boy. He finds out that becoming someone else does not solve all his problems. He learns that being a disabled gay man is who he is, and all he needs to be.

That, to me, is a positive message.

New Book!

Check out my new book! Carrolwood. So, what makes this story different from the others I’ve written? A few things. First, I explore the relationships of my main characters, Carl and Sunni, with their parents. We see how their gender swaps change the family dynamic. Second, and this is rare for me, it includes both a MTF and FTM swap. So, I set out to create something fresh and different.

It’s a rivals to lovers style tale with a gender bender angle and a narrator who’s a lot of fun. Free sample!

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Interview with author Alice Duffield

I’ve read a lot of TG fiction. A lot. I started reading TG fiction before the Internet, scouring used bookstores for out of print books like Thorne Smith’s Turnabout, or eagerly devouring the occasional TG book that came along in the Science Fiction book club, like Beyond Rejection. Now, I am always on the lookout for new writers who have something fresh to say, or a new way to say something timeless.

In this episode of genderfluidnews, I would like to introduce just such an author, Alice Duffield. Alice posted a notice on the TG Comics discussion board inviting people to take a look at her latest works, and I did. I saw right away a writerly quality to the work, and a fresh voice. Here is my interview with Alice. Enjoy, and please take a minute to check out her writings. Links at the bottom.

1. How did you become interested in TG stories?

It’s a good question.  Transgender issues have always been ones that interested me, as has gender fluidity.  I have friends and acquaintances who have dealt with the issue of being in the wrong body.  Some just choose to cross dress privately, others have taken the courageous step to live outwardly as the gender they identify with versus the sex they were assigned at birth.  I wonder constantly about what it would be like to be in the body of the opposite sex all of a sudden (probably because of my writing).  I am not a full-time writer, but I am asked to write a fair number of non-fiction, industry or professional type articles and I just find it’s not as much fun!  I like telling a story and I like telling TG stories because it’s a genre that interests me.  Not all my stories actually have a TG angle to them though and I like to work on stories that don’t come as easily to me as a challenge.  You’ll find a few fan fiction stories I’ve thrown in for fun.

2. What are a few of your favorite TG stories, books or movies?

I hope I don’t disappoint your readers as I spend so much time writing I don’t do a good job reading.  Circe’s “Ghost Writer” and “Death Mask” I thought were both excellent stories (Fictionmania), KannalArt’s “Raan’s Doll”, “Femail” by TGTrinity, “Second Chances” by tfes8.  I also am constantly amazed at the artistry of some of the work posted to TGComics – TGTrinity, Lilac Wren, Sturk Wurks, LenioTG just to name a few. As for movies, I don’t have too many, but “Switch” with Ellen Barkin and Jimmy Smits comes to mind.  It was probably the first film/story that ever got me thinking of TG as a genre.  I haven’t seen it in a while, so I don’t know how it holds up, but it definitely had an impression on me. 

3. How would you describe your artistic philosophy?

Hmm…That’s a tough one as I haven’t spent the time to really reflect on it.  I will say that to me, if I’m going to write a story and put it out into the world, it is first a reflection on me as a writer, so I do set a high bar for what I’ll publish.  Second, I take the reader into consideration and try hard to write the story in such a way that they’ll appreciate that I spent time crafting sentences and paragraphs that have some sophistication.  I’m not interested in smut, or as you put it Taylor, “stuff that reads like low-quality VHS porn movies.”  Anyone can write that stuff and it is fairly prevalent on many TG sites.  I’m not graphic for the sake of being graphic and when I am graphic, it’s because it’s important to the story, the characterizations or the plot.  Even then, I try to write the scene in such a way that it isn’t crass or pandering.  It’s my job to give the reader a scene in such a way that it doesn’t debase the character, story or my own aesthetic.

To that end, I really try to stay away from material or story lines that are inappropriate or offensive.  I think it’s important to reflect what are very real-world issues respectfully. For example, I have preferred to show corruption of a character instead of brutality.  I think you can take a story to a similar place, but in a more interesting way, if you use subtlety and nuance versus say, blunt force.  I don’t depict brutality, violence or inhuman acts and frankly I don’t care for humiliation as a story theme.  The world has enough bad mojo in it, I don’t want to add to it so you are more likely to find tenderness and respect in my stories.

4. Which writers influenced you?  (TG or Non)

Outside of TG, lots of mainstream authors have influenced me.  Aaron Sorkin, Joyce Carol Oates, Gillian Flynn, Jonathan Safran Foer…the list goes on.  I think one of the things I take from these writers is the twist on the plot, the new angle, or at least the interesting angle they take to a story that has maybe been told before.  I think it’s helped be make my stories less straightforward and more interesting.  I still have a long way to go.

As for TG writers that is a shorter list for sure.  Circe on Fictionmania is a writer I really respect and appreciate.  I’ve been fortunate to have some back and forth with Circe about our various stories which has been incredibly helpful.  One story that’s just come out lately that really struck a chord with me is tfes8’s “Second Chances” on Fictionmania and DeviantArt.  It is a great example that a strong story, well written, can capture one’s heart.

5. Walk us through your creative process

I love that you think there’s a process!  Well actually there is to some degree.  Usually I get a nugget of an idea, something interesting, something that is kind of a hook for me about the plot, so I’ll start a document and sketch out the idea.  I may also give myself a challenge, such as the length of the story, or, like I did with “Lady of the Wood”, not to use any dialogue.  I’ll sketch it out then ask myself questions as I flush it out.  Why would the character do this?  What is the back story that got her here?  How do I explain why they are doing this or that, etc…?  Once I’ve done that, I usually have the entire plot, at least at a high level, worked out.

Generally, it is fair to say that I try to utilize various writing techniques as well and so that needs to be thought about up front to some degree.  For example, stories need to have pacing and that means there needs to be a reasonable plot.  Aaron Sorkin speaks about it like this “To begin with, I worship at the altar of intention and obstacle. Somebody wants something, and something is standing in their way of getting it. They want the money; they want the girl; they want to get to Philadelphia. Then the obstacle to that has to be formidable, and the tactics they use to overcome that obstacle are what shows us the character.”  

Similarly, there needs to be a reason the action is taking place.  For example, the main character makes some sort of a contract (like the character takes an oath or makes a promise to her dying father) and is in some sort of crucible with the clock ticking.  To do this though, you have to have plotted it out ahead of time or risk the story meandering or being disjointed.

From that point, I usually need to do some research to fill in the gaps and make things at least somewhat believable.  I’ll find articles or sites on the topic and collect the links.  I’ll even create Pinterest boards.

Here is an example of my notes for a story I wrote called “Shelter in Place”.  It’s probably the closest I’ve come to writing a story that has a despicable inhuman act and in order to not go down the wrong path I needed to have a believable character that manipulated and corrupted our protagonist.  Here are a sample of the notes I wrote to flush out the characters and the plot:

“She is a former psychiatrist and now Hedge fund exec, so she has both the means and knowhow to be evil.  This [the story plot] is a game to her, she wants to see if she can do it and she is incredibly competitive. She had this idea for a while and found the man she wanted to experiment on (maybe thought about epidemiology before going into psychiatry?).

Saw the pandemic coming and reworked her plan for the shelter in place order

He is her boyfriend, 5-10 years younger?  He loses his hourly job quickly after joining her in her home so becomes her assistant to pass time and make some money.

She transforms him over 12 months using drugs, manipulation and hypnosis

  • Uses fabrics and tactile sensory while he is hypnotized to help his progression?
  • cognitive behavioral therapy – makes him watch shows, videos etc…
  • She tells him he has gender dysphoria and or dissociative disorders
  • Manipulation – https://en.wikipedia.org/wiki/Psychological_manipulation
  • Dopamine

In this case, I didn’t use all of these ideas but I wanted to get them down so I could incorporate good ideas without forgetting them.  Then, it’s just a matter of writing and rewriting until it’s in a place I want it to be to feel good about publishing it.

6.  What Themes do you prefer to explore in your writing.

As I mentioned before, I’ve always found the idea of corruption interesting.  That can be a pretty wide theme, everything from taking a bribe to corrupting one’s soul.  With that, I’ve explored what happens if the ‘good guy’ doesn’t win.  Redemption and triumph can be very satisfying in a story, but I think it’s clear that not all stories end like that, at least in real life.  The bad guy wins, not just a little bit, but a lot.  So why should we always write that the protagonist triumphs?  There are a few of my stories that explore this, for example one of my older stories “Vanitas” and a recent one “The Chosen Few”.  In each, the main character is presented with evil, or what we’ve historically taken as evil in literature, and in some way gives in to it, becoming irreparably corrupted in the process.  There is something provocative about that I think, something sexy and I do think plays well as a plot device for TG stories.

I’m also a sucker for women’s fashion.  I adore it.  It is a fascinating topic on so many levels.  Fashion (at very least high fashion) and beauty are about aspiration more so than need and I think that is fertile ground for stories, especially TG stories. Thus, I usually take time to describe the character’s fashion or dress in my writing.  I love thinking about how a man would feel in sumptuous women’s clothes for the first time.  The textures, and the colors, the feel of them would be scintillating.  So, in my process I actually get ideas for what the characters could wear by going to Pinterest and looking around until I find several outfits I want in the story.  I’ll start a new board for each and pin different shots of clothing, jewelry and even décor for reference as I write.  I even found shots of old mill houses for my story “Imperial Assassin” so I could describe it well.

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Thanks, Alice. I can’t wait to see how your work develops and evolves!

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